"Rituals: III. Leaving It All Behind" by Lars Hegaard, Jesper Sivebæk, Cæcilie Balling, Michal Haring, Ana Angelovska, Eduardo Sánchez, Hsiao Tung Yuan, Filip Štrauch, Max Artved had its release date on March 19, 2021. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Rituals: III. Leaving It All Behind is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rituals: III. Leaving It All Behind by Lars Hegaard, Jesper Sivebæk, Cæcilie Balling, Michal Haring, Ana Angelovska, Eduardo Sánchez, Hsiao Tung Yuan, Filip Štrauch, Max Artved having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances, Op. 94: No. 2, Einfach, innig - Musical Moments | Robert Schumann, Andreas Ottensamer, José Gallardo | A Major | 0 | 11B | 105 BPM | ||
| Nature Boy (Arr. for Trumpet & Piano by Roland Pöntinen) | Eden Ahbez, Håkan Hardenberger, Roland Pöntinen | B Minor | 0 | 10A | 132 BPM | ||
| Rhapsody No. 1 for Violin and Piano, Sz. 86: II. Friss. Allegretto moderato | Béla Bartók, Sophia Jaffé, Hansjacob Staemmler | E Major | 2 | 12B | 76 BPM | ||
| Techno-Parade | Guillaume Connesson, Anna Miernik, Barbara Borowicz, Martyna Klupś-Radny | A♭ Minor | 2 | 1A | 138 BPM | ||
| The 4 Winds: IV. South | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | D Major | 0 | 10B | 93 BPM | ||
| Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Images, 1ère Suite, Op. 29: III. Lolita la danseuse | Marcel Tournier, Chantal Mathieu | A Major | 0 | 11B | 103 BPM | ||
| Points of Disappearance: No. 4, Quarter Note = 72 | Lars Hegaard, Jesper Sivebæk, Morten Zeuthen | D Major | 0 | 10B | 93 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): II. Allegro molto | Dmitri Shostakovich, Ensemble Ouranos | F♯ Major | 5 | 2B | 82 BPM | ||
| Augenblicke einer Serenade | Valentin Silvestrov, Anja Lechner | D Major | 0 | 10B | 90 BPM | ||
| Feather Fletching | Joe Hisaishi | B Minor | 1 | 10A | 172 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Persian Folk Songs: 3. The Girl From Shiraz | Reza Vali, Kian Soltani, Aaron Pilsan | E♭ Minor | 0 | 2A | 142 BPM | ||
| Sonata for Flute and Piano: 1. Allegro malincolico | Francis Poulenc, Wolfgang Schulz, James Levine | A Minor | 1 | 8A | 77 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| 3 Aspekter af Mørket: Mørke II | Lars Hegaard, Marianne Lund | F♯ Minor | 1 | 11A | 119 BPM | ||
| 3 Poèmes d'Arthur Rimbaud: No. 2, Veillées | Lars Hegaard, Signe Asmussen, Jesper Sivebæk | C Minor | 0 | 5A | 118 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| Trois Pièces pour Violoncelle et Piano: No. 1 Moderato | Nadia Boulanger, Isang Enders, Sun-Wook Kim | E♭ Minor | 0 | 2A | 113 BPM | ||
| Three Fantasy Pieces: I. Night Piece | Doris Hall-Gulati, Steven Graff | E Major | 1 | 12B | 135 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Suite for Harp, Op. 83: II. Toccata. Fast and gay | Benjamin Britten, Magdalena Hoffmann | D♭ Major | 0 | 3B | 135 BPM | ||
| Meeelaan for Bassoon and String Quartet: III. Bebop | Wynton Marsalis, Frank Morelli, Callisto Quartet | F Major | 1 | 7B | 138 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM |