"Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera" by Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa had its release date on January 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski: Works for Violin by Henryk Wieniawski, Itzhak Perlman. The song's track number on the album is #7 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera by Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tzigane, rapsodie de concert - Instrumental | Midori | G Major | 2 | 9B | 103 BPM | ||
| Violin Concerto No. 2 in G minor, Op. 63: 1. Allegro moderato | Sergei Prokofiev, Janine Jansen, London Philharmonic Orchestra, Vladimir Jurowski | F Major | 2 | 7B | 157 BPM | ||
| Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Symphonie espagnole, Op. 21: II. Scherzando. Allegro molto | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
| Piano Concerto No. 2 in A Major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 2 | 11B | 105 BPM | ||
| Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | A Minor | 0 | 8A | 174 BPM | ||
| Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: I. Allegro non troppo | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 2 | 8A | 98 BPM | ||
| Symphony No. 9 in C Major, D. 944 "The Great": III. Scherzo. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 78 BPM | ||
| Brahms: Violin Sonata No. 3 in D Minor, Op. 108: I. Allegro | Johannes Brahms, Itzhak Perlman, Vladimir Ashkenazy | D Minor | 1 | 7A | 73 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 7 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 2 | 8A | 51 BPM | ||
| Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | F Major | 1 | 7B | 81 BPM | ||
| Violin Sonata No. 1 in D Major, Op. 12 No. 1: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | D Major | 2 | 10B | 154 BPM | ||
| Bruch: Scottish Fantasy, Op. 46: IV. Finale. Allegro guerriero | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
| Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante | Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 2 | 8B | 103 BPM | ||
| Sonata in G Minor: I. Largo | Henry Eccles, Amit Peled, Eliza Ching | B♭ Major | 1 | 6B | 173 BPM | ||
| Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro e agitato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 98 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
| Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
| Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM |