"Capriccio Espagnol: Variazioni" by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim had its release date on February 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Rimsky-Korsakov: Scheherezade". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Capriccio Espagnol: Variazioni is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio Espagnol: Variazioni by Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
| Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Scheherazade, Op. 35: IV. Festival at Baghdad – The Sea – Shipwreck. Allegro molto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
| Portsmouth Point | William Walton, London Philharmonic Orchestra | D Major | 1 | 10B | 53 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
| 4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM | ||
| Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | ||
| Pelléas et Mélisande, Suite, Op. 46: I. At the Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
| Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo - 2017 Remastered Version | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
| Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": I. Andante - Allegro con fuoco | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 87 BPM | ||
| Gayane Suite No. 2: III. Dance of the Boys | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Minor | 7 | 12A | 103 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
| Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
| The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
| Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 118 BPM | ||
| Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
| Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM |