"Fauré: String Quartet in E Minor, Op. 121: II. Andante" by Gabriel Fauré, Quatuor Ébène had its release date on September 5, 2011. This song appears to be safe for all ages as it is not explicit. The song is number 5 out of 44 in Fauré: Complete Chamber Music for Strings by Gabriel Fauré, Gautier Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: String Quartet in E Minor, Op. 121: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: String Quartet in E Minor, Op. 121: II. Andante by Gabriel Fauré, Quatuor Ébène is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation V | Franz Schubert, Quatuor Arod | B Minor | 1 | 10A | 71 BPM | ||
| String Sextet in D Minor, Op. 70, "Souvenir de Florence": IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Minor | 3 | 7A | 138 BPM | ||
| String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Juilliard String Quartet | C Minor | 2 | 5A | 108 BPM | ||
| Dolly, Op. 56: Berceuse | Pierre-Alain Volondat, Patrick De Hooge, Gabriel Fauré | G Major | 2 | 9B | 113 BPM | ||
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
| Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
| Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
| The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Le Choeur des femmes de l’Orchestre symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 78 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto | Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | F♯ Major | 3 | 2B | 104 BPM | ||
| I. Un poco andante - Allegro molto ed agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Violin Concerto No.2 "The American Four Seasons" - Movement I | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | G Minor | 3 | 6A | 120 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
| Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
| Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
| Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | D Major | 3 | 10B | 120 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Mikhail Pletnev, Russian National Orchestra | E Major | 0 | 12B | 88 BPM | ||
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| Poulenc: Piano Concerto in C-Sharp Minor, FP 146: III. Rondeau à la française | Francis Poulenc, James Conlon, François-René Duchâble, Rotterdam Philharmonic Orchestra | F♯ Major | 1 | 2B | 79 BPM | ||
| Octet In E Flat, Op. 20, MWV R20: 3. Scherzo (Allegro leggierissimo) | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | G Major | 1 | 9B | 147 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| String Quartet No. 5, H. 268: III. Allegro vivo | Bohuslav Martinů, Pavel Haas Quartet | G Minor | 3 | 6A | 143 BPM | ||
| Punctum | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 130 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM |