Roger Neill's ' "I Get That A Lot" was released on its scheduled release date, February 25, 2022. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Three Months (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, I Get That A Lot's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Get That A Lot by Roger Neill having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Pressure - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | E Major | 0 | 12B | 68 BPM | ||
| Erin Attacked | Lele Marchitelli | C Major | 2 | 8B | 70 BPM | ||
| Sonatas for Harpsichord (Miscellaneous): Sonata in D minor, K.213: Andante | Patricia Mabee | D♭ Minor | 2 | 12A | 134 BPM | ||
| Honey | Grandbrothers | F♯ Minor | 4 | 11A | 154 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM | ||
| It’s Perfect | Jeff Beal | F Major | 2 | 7B | 59 BPM | ||
| Freedom | Tim Fain | B Major | 5 | 1B | 91 BPM | ||
| Fantasy On a Theme of Thomas Tallis | New Zealand Symphony Orchestra | F Major | 2 | 7B | 82 BPM | ||
| Voicemail From Emily | Michael Andrews | C Major | 1 | 8B | 123 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| Here They All Come | Bryce Dessner, Aaron Dessner | F Major | 4 | 7B | 110 BPM | ||
| Theme From Ghost World | David Kitay | C Minor | 0 | 5A | 95 BPM | ||
| The Letter That Never Came | Thomas Newman | F Major | 1 | 7B | 141 BPM | ||
| The Quiet at Night | Mary Lattimore | D Major | 2 | 10B | 108 BPM | ||
| The Rider - Ending Suite | Nathan Halpern | F♯ Minor | 1 | 11A | 92 BPM | ||
| Steel | Daniel Blumberg | C Major | 3 | 8B | 156 BPM | ||
| Still Blue | Olivia Belli, Enrico Belli | F Major | 2 | 7B | 145 BPM | ||
| Writing Teams Are Two People | Roger Neill | E♭ Major | 1 | 5B | 118 BPM | ||
| Awareness | Hanan Townshend | A Minor | 2 | 8A | 86 BPM | ||
| Ok | Jon Brion | D Major | 1 | 10B | 84 BPM | ||
| Rising Water | Andrew Bird | G Major | 2 | 9B | 68 BPM | ||
| Tears of Unicorn | Masayoshi Fujita | A♭ Minor | 1 | 1A | 78 BPM | ||
| Beach Peace | Roger Neill | C Major | 0 | 8B | 140 BPM | ||
| Glassworks: II. Floe | Signal, Michael Riesman | A Minor | 6 | 8A | 96 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM |