On May 27, 2014, the song "Kriti: "śri Mahāgaṇapati" / Caraṇam" was released by Ranganayaki Rajagopalan, Raja Rao. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "South India: Ranganayaki Rajagopalan—Continuity in the Karaikudi Vina Style". In this album, this song's track order is #6. Kriti: "śri Mahāgaṇapati" / Caraṇam is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kriti: "śri Mahāgaṇapati" / Caraṇam by Ranganayaki Rajagopalan, Raja Rao having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nau | Bickram Ghosh, Kala Ramnath, Jesse Bannister | C Major | 5 | 8B | 110 BPM | ||
| Tillana - Behag | M. Balamuralikrishna | C Major | 3 | 8B | 81 BPM | ||
| Pavanguru - Hamsanandhi - Rupakam | Rajhesh Vaidhya | B Minor | 6 | 10A | 154 BPM | ||
| Raag Ratri | Sounds of Optimism, Deepesh Sanmal | D Major | 1 | 10B | 102 BPM | ||
| Hare Krishna Hare Rama - Instrumental | Acoustic Trips | C Major | 5 | 8B | 166 BPM | ||
| Tanpura Anahata Sound in F# | Bagno Armonico | B♭ Minor | 0 | 3A | 111 BPM | ||
| Chakkani Raja | Sound Creed, Sayee Rakshith | A Minor | 6 | 8A | 90 BPM | ||
| Pilu - Thumri | Bismillah Khan | D Major | 3 | 10B | 58 BPM | ||
| Muruganin Marupeyar (Instrumental) | Anjani Srinivasan | A♭ Major | 5 | 4B | 136 BPM | ||
| Hakar - Kutumba | Kutumba | F♯ Major | 5 | 2B | 165 BPM | ||
| Sri Shukra | Bombay Jayashri, Muthuswami Dikshitar | C Minor | 2 | 5A | 151 BPM | ||
| Chandram Bhaja | Bombay Jayashri, Muthuswami Dikshitar | C Major | 6 | 8B | 84 BPM | ||
| A Desert Symphony | The Samata Society | A Major | 1 | 11B | 117 BPM | ||
| Theliyaleru Raama | Kadri Gopalnath | B Major | 4 | 1B | 110 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Niraval | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 164 BPM | ||
| Vathapi Ganapathim Bhaje, Pt. 1 | K. J. Yesudas | F♯ Major | 2 | 2B | 142 BPM | ||
| Deshi | Shruti Sadolikar | A♭ Major | 4 | 4B | 102 BPM | ||
| Kriti: "śri Mahāgaṇapati" / Caraṇam | Ranganayaki Rajagopalan, Raja Rao | E♭ Minor | 5 | 2A | 75 BPM | ||
| Constructions of the Mind | Fred Westra | C Major | 1 | 8B | 76 BPM | ||
| Sarasuda Varnam (Raga Saveri, Aadi Tala): Jaya Jaya [Raga Nattai, Khanda Chapu Tala] | Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh | E♭ Major | 6 | 5B | 174 BPM | ||
| Vinayaka Ninnu Vina (Instrumental) | Anjani Srinivasan | D Major | 6 | 10B | 180 BPM | ||
| Chandrachooda Shiva Shankara (Instrumental) | Kishore Kumar | B Minor | 4 | 10A | 140 BPM | ||
| Varṇam - Rāgam: Kalyānī | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 137 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Raghunayaka - Hamsadwani - Adi | Vittal Ramamurthy | E Major | 5 | 12B | 81 BPM |