Shukla Sengupta's ' "Chander Hasir Bandh Bhengechhe" was released on its scheduled release date, January 1, 2009. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rabindranath Tagore's "Kar Bani Kon Surey" album is number 5 out of 16. On top of that, India appears to be the country where this track was created. Based on our statistics, Chander Hasir Bandh Bhengechhe's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Chander Hasir Bandh Bhengechhe by Shukla Sengupta to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gnanam Varam Santhosa Sakalam | Soundarya Lahari Creations | A Major | 5 | 11B | 100 BPM | ||
| Prothom Gaan | Nilanjan Ghosal | F Major | 2 | 7B | 130 BPM | ||
| Gajir Bayan | Lopamudra Mitra | B Major | 7 | 1B | 144 BPM | ||
| Tomar Pujar Chole | Jayati Chakraborty | A♭ Major | 6 | 4B | 162 BPM | ||
| Hare Krishna Vol 6 Part 5 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Jaya Jaya He Mahishasuramardini (Title Track) | Telly Durga | D Minor | 5 | 7A | 128 BPM | ||
| Joler Ghate - LoFi | Pousali Banerjee, Radharaman Dutta, Sayan | D♭ Major | 4 | 3B | 80 BPM | ||
| Maa Go Tui | Somchanda Bhattacharya, Manomay Bhattacharya | D Major | 5 | 10B | 120 BPM | ||
| Phule Phule | Naved Parvez, Selina Khan Punam | D Major | 2 | 10B | 130 BPM | ||
| Madhuro Madhuro | Srabani Sen | E♭ Major | 7 | 5B | 133 BPM | ||
| Vandanamu Raghunandana (Instrumental) | Peri Thyagaraju | G Minor | 7 | 6A | 100 BPM | ||
| Ogo Bideshini - From "Ahare Mon" | Anjan Dutt | A Major | 2 | 11B | 141 BPM | ||
| Bir Senapati | Narendrapur University Artist, Atanu Sanyal | D♭ Minor | 5 | 12A | 170 BPM | ||
| Kaash Tu Mila Hota | Shaurya Jha | E Major | 4 | 12B | 121 BPM | ||
| Amar Mukti Aloe Aloe | Anweshaa | B♭ Major | 5 | 6B | 170 BPM | ||
| Mathur | Aditi Munshi | B Major | 5 | 1B | 130 BPM | ||
| Tomay Gaan Shonabo | Anweshaa | C Major | 2 | 8B | 66 BPM | ||
| Babu Ami Gayer Chhele | Sanajit Mondal | A♭ Major | 5 | 4B | 99 BPM | ||
| Amono Diney Taare | Jayati Chakraborty | B Major | 2 | 1B | 116 BPM | ||
| Jagiya Loho Krishna Naam | Apily Dutta Bhowmick | C Major | 6 | 8B | 116 BPM | ||
| Hole Jodi Hole Sokha | Sromona Chakraborty | B Major | 6 | 1B | 94 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Sokhi Bhabona Kahare Bole | Rezwana Choudhury Bannya | A♭ Major | 4 | 4B | 160 BPM | ||
| Ebar Bhashiye Dite Hobe Amar | Shukla Sengupta | C Minor | 0 | 5A | 0 BPM | ||
| Shree Krishner 108 Naam | Saheb Chattopadhyay | D Major | 2 | 10B | 143 BPM |