"Masquerade: I. Overture" by Carl Nielsen, Emil Reesen, Berliner Philharmoniker had its release date on January 16, 2023. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "The Art of Emil Reesen as Conductor". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Masquerade: I. Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Masquerade: I. Overture by Carl Nielsen, Emil Reesen, Berliner Philharmoniker having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
| The Tempest, Suite No. 2, Op. 109: III. Dance of the Nymphs | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | C Major | 0 | 8B | 131 BPM | ||
| Suite No. 3, Op. 19 No. 1: III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 2 | 9A | 110 BPM | ||
| Symphony No. 5, Op. 50: IIb. Presto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 60 BPM | ||
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| 5 Greek Dances, AK 11b (Arr. for String Orchestra by Walter Goehr and Nikos Skalkottas): No. 5, Kleftikos. Allegro vivo | Nikos Skalkottas, Thessaloniki State Symphony Orchestra, Zoi Tsokanou | G Minor | 2 | 6A | 160 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D♭ Minor | 0 | 12A | 95 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | ||
| Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | D♭ Major | 0 | 3B | 80 BPM | ||
| English Suite: Jig | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Czech Suite, Op. 39: IV. Romance | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze | Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski | B♭ Major | 0 | 6B | 86 BPM | ||
| Symphony No. 5, Op. 50: Ia. Tempo giusto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 96 BPM | ||
| No. 1, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 93 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM |