Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro by Max Bruch, George Hanson, Sinfonieorchester Wuppertal Song Details

"Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro" by Max Bruch, George Hanson, Sinfonieorchester Wuppertal had its release date on February 1, 2002. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 22 in Bruch: Orchestral Works by Max Bruch, George Hanson, Sinfonieorchester Wuppertal. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro by Max Bruch, George Hanson, Sinfonieorchester Wuppertal is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -21.436 dB
Acousticness: 95%
Danceability: 22%
Energy: 12%
Instrumentalness: 0%
Liveness: 9%
Loudness: 64%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Walzer: Moderato (Tempo di valse)	Pyotr Ilyich Tchaikovsky, Bavarian Radio Symphony Orchestra, Sir Colin Davis	G Major	1	9B	124 BPM
Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 2. Largo	Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel	E Major	1	12B	99 BPM
Scottish Fantasy, Op. 46: 4. Finale (Allegro guerriero)	Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald	E♭ Major	1	5B	102 BPM
Concerto For Oboe And Strings: 2. Minuet & Musette	Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim	G Minor	2	6A	88 BPM
6 Keyboard Concertos, Op. 3: No. 6 in E-Flat Major: III. Rondo. Allegro (Performed on Harp)	Johann Samuel Schroeter, Silke Aichhorn, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock	E♭ Major	2	5B	90 BPM
Das Sühnopfer des neuen Bundes, Pt. 1: No. 7, Larghetto con moto	Carl Loewe, L'Arpa Festante Baroque Orchestra, Thomas Gropper	G Major	0	9B	74 BPM
Bagatellen Op. 47: I. Allegretto scherzando	Antonín Dvořák, NOG Ensemble	G Minor	1	6A	96 BPM
String Quintet in A Minor: I. Allegro	Max Bruch, Vadim Gluzman, Sandis Steinbergs, Maxim Rysanov, Ilze Klava, Reinis Birznieks	A Minor	1	8A	82 BPM
Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto	Franz Schubert, Gewandhausorchester, Herbert Blomstedt	E Major	0	12B	82 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä	B♭ Major	1	6B	87 BPM
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning	Benjamin Britten, André Previn, London Symphony Orchestra	C Major	2	8B	114 BPM
Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato	Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne	C Major	1	8B	76 BPM
Sonata for Violin and Piano in A: 4. Allegretto poco mosso	César Franck, Kaja Danczowska, Krystian Zimerman	E Major	0	12B	87 BPM
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement	Cologne Chamber Orchestra, Georg Philipp Telemann	B♭ Major	3	6B	134 BPM
Radiant Moments	Veridia	B Major	1	1B	172 BPM
Concerto in C Major, H.117, Op. 7: I. Francese Presto	Francesco Geminiani, Café Zimmermann	B Major	3	1B	112 BPM
Violin Concerto in D Major, Op. 3, No. 1: Adagio	Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon	D Minor	0	7A	96 BPM
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright)	Tomaso Albinoni, Alison Balsom, Pinnock’s Players, Trevor Pinnock	D♭ Minor	6	12A	103 BPM
Concerto For 2 Cellos In G Minor, RV 531: I. Allegro	Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon	F♯ Minor	2	11A	119 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico	Max Bruch, Bomsori, Bamberger Symphoniker, Jakub Hrůša	G Major	1	9B	95 BPM
Irish Isles Suite: I. Achill Island	Ailbhe McDonagh, RTE Concert Orchestra, David Brophy	A Minor	1	8A	72 BPM
8 Pieces, Op. 83: I. Andante	Max Bruch, Philon Trio	F♯ Minor	0	11A	78 BPM
Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude	Henry Purcell, Emil Klein	G Minor	2	6A	136 BPM
Cello Concerto No. 2 in D Major, Hob. VIIb: II. Adagio	Joseph Haydn, Alisa Weilerstein, TrondheimSolistene	G Major	0	9B	70 BPM
Handel: Saul, HWV 53, Act III: Dead March	George Frideric Handel, Barry Rose, Central Band Of The Royal Air Force, Roy Edward Charles Davies	E♭ Major	3	5B	110 BPM