On January 1, 1996, the song "Old Folks At Home / Camptown Races / Beautiful Dreamer / My Old Kentucky Home / Oh, Susanna" was released by London Concert Orchestra, Andy Vinter. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "The Good Old Days". In this album, this song's track order is #3. In terms of popularity, Old Folks At Home / Camptown Races / Beautiful Dreamer / My Old Kentucky Home / Oh, Susanna is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Old Folks At Home / Camptown Races / Beautiful Dreamer / My Old Kentucky Home / Oh, Susanna by London Concert Orchestra, Andy Vinter having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Bella Durmiente, Op.66 - Vals | Pyotr Ilyich Tchaikovsky, Inma Shara | B♭ Major | 2 | 6B | 181 BPM | ||
| Frist Trasch Polka | George Henkla | A Major | 5 | 11B | 81 BPM | ||
| Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
| Radetzky-Marsch, Op. 228 | Johann Strauss I, Budapest Strauss Ensemble, Istvan Bogar | A Major | 4 | 11B | 114 BPM | ||
| The Celebrated Chop Waltz "Chopsticks" | Arthur de Lulli, Lang Lang | C Major | 4 | 8B | 158 BPM | ||
| Il barbiere di Siviglia: Act I: Overture - Remastered | Gioachino Rossini, Erich Leinsdorf, Metropolitan Opera Orchestra | E Major | 3 | 12B | 96 BPM | ||
| Symphony no. 5 in Cm, Op. 67 - I. Allegro con brio | Beethoven | A Major | 2 | 11B | 129 BPM | ||
| Hungarian Dance No. 5 in G Minor: Allegro | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 148 BPM | ||
| Presto (Concierto Para Cuerda Sol Mayor) | Cámara de la Escala De Milan | D Major | 4 | 10B | 93 BPM | ||
| Lakmé: Flower Duet | Léo Delibes, Richard Kapp | D Major | 4 | 10B | 90 BPM | ||
| Marcha Radetzky, Op.228 | Johann Strauss II, Inma Shara | A Major | 5 | 11B | 107 BPM | ||
| Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
| Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
| Cuadros de una exposición para orquesta: Paseo I | Orquesta Filarmónica de Slavonia, Alberto Lizzio | F Major | 1 | 7B | 79 BPM | ||
| First Movt 'Eine Kleine Nachtmusik' | London Concert Orchestra | D Major | 4 | 10B | 139 BPM | ||
| Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano | D Major | 0 | 10B | 94 BPM | ||
| Noches de Viena | Orquesta Filarmonica de Rumania | D Major | 3 | 10B | 174 BPM | ||
| Marcha Radetzky | George Henkla | A Major | 5 | 11B | 113 BPM | ||
| Silver Mist | Luna Mystic | A Minor | 2 | 8A | 176 BPM | ||
| Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Joseph Haydn, European Festival Orchestra, Johann Walter | C Major | 0 | 8B | 126 BPM | ||
| Bizet: Carmen: Prélude | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre | A Major | 5 | 11B | 125 BPM | ||
| Vals del Emperador Op. 437 | Gran Orquesta Vienesa | C Major | 2 | 8B | 68 BPM | ||
| Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra, Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Someday I'll find you (from 'Private Lives') | Noel Coward, Frank Chacksfield Orchestra, Frank Chacksfield, Aarhus Civic Orchestra, Al Goodman Orchestra, Billy Vaughn Orchestra, Cyril Stapleton Concert Orchestra, Danish State Radio Orchestra, David Carroll Orchestra, David Rose Orchestra, The Gaumont British Symphony, London Coliseum Orchestra, London Concert Orchestra, London Palladium Orchestra, London Promenade Orchestra, Lou Preager Charm Of The Waltz Orchestra, Marek Weber Orchestra, Morton Gould Orchestra, New Concert Orchestra, Old Tyme Orchestra, Percy Faith & His Orchestra, Phoenix Theatre Orchestra, Regent Concert Orchestra, Ron Goodwin Concert Orchestra, Sidney Torch Orchestra, Symphonia Orchestra, Tivoli Concert Hall Orchestra | E♭ Major | 3 | 5B | 79 BPM |