"The Shine" by Sid Acharya had its release date on March 21, 2025. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sid Acharya's "Marbles and Bullets (Original Motion Picture Soundtrack)" album is number 4 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Shine is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Shine by Sid Acharya to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anomali (Reprise) | Jordan Critz | A Minor | 2 | 8A | 134 BPM | ||
| Familiar | ABBOTT, Canea Quartett | A♭ Minor | 2 | 1A | 125 BPM | ||
| Philosophia | David Celeste | B♭ Minor | 0 | 3A | 120 BPM | ||
| A Most Dignified Betrayal | Trevor Kowalski | A Minor | 3 | 8A | 91 BPM | ||
| The Darkest Descent - Edit | Snorri Hallgrímsson | D♭ Minor | 3 | 12A | 134 BPM | ||
| Distant Water | Chelsea McGough | D Major | 3 | 10B | 132 BPM | ||
| Bachmeier | Alessandro Ligi | E Minor | 1 | 9A | 113 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Across the Moor | Sarnia | E Minor | 2 | 9A | 81 BPM | ||
| Don't Go | Christopher Dennis Coleman | E Minor | 0 | 9A | 90 BPM | ||
| Re: Unwanted Tears | Philip Daniel, Shawn Williams | B Major | 3 | 1B | 179 BPM | ||
| Orion I | Peter Sandberg | C Minor | 2 | 5A | 180 BPM | ||
| February 30 | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Rain Will Pour | Distant Cowboy | B Minor | 3 | 10A | 126 BPM | ||
| On Her Shoulders | Patrick Jonsson | B♭ Minor | 1 | 3A | 66 BPM | ||
| Sleep Can't Wait | Kyle Preston | A Minor | 2 | 8A | 70 BPM | ||
| Big Sleep - Instrumental | Lissom, Julien Marchal, Lowswimmer | A Minor | 2 | 8A | 77 BPM | ||
| The Unfolding of Destiny | BARNIR | F♯ Minor | 1 | 11A | 111 BPM | ||
| Recollection | Austin Fray | A Major | 2 | 11B | 59 BPM | ||
| Lumens | Kerry Muzzey | G Major | 1 | 9B | 73 BPM | ||
| None Left | David Celeste | A♭ Minor | 3 | 1A | 190 BPM | ||
| Loto | Matteo de Grandis | G Minor | 2 | 6A | 170 BPM | ||
| Memento | Keith Merrill | C Minor | 3 | 5A | 166 BPM | ||
| Remarkable Convictions | Trevor Kowalski | F Minor | 1 | 4A | 70 BPM | ||
| From All Who Came Before | BPMoore | E♭ Minor | 1 | 2A | 70 BPM |