"Feds Break in Matrix Style" by Jeff Toyne, Kevin Lax had its release date on January 20, 2017. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jeff Toyne's "Hot Bot (Original Motion Picture Score)" album is number 30 out of 40. On top of that, United States appears to be the country where this track was created. Based on our statistics, Feds Break in Matrix Style's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Feds Break in Matrix Style by Jeff Toyne, Kevin Lax to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembrance: Helena And The Leaves | Federico Jusid | D Minor | 1 | 7A | 99 BPM | ||
| Bodies End Credits | Jon Opstad | D♭ Major | 2 | 3B | 66 BPM | ||
| Bond of Trust | Pinar Toprak, Gerrit Wunder | C Major | 6 | 8B | 137 BPM | ||
| Salvage | Debbie Wiseman, The Locrian Ensemble Of London | C Minor | 1 | 5A | 103 BPM | ||
| Kitchen N.Y. | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| A Proper Villa | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Series Opener | Harry Gregson-Williams | C Major | 3 | 8B | 138 BPM | ||
| The Dream | Dario Marianelli | G Minor | 1 | 6A | 80 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| I Hate a Liar | Marcelo Zarvos | D♭ Major | 1 | 3B | 171 BPM | ||
| Cicatrices | Fernando Velázquez | G Minor | 0 | 6A | 92 BPM | ||
| The Victor | Jerry Goldsmith | C Major | 2 | 8B | 66 BPM | ||
| Call for the Ambassador | Marcelo Zarvos | C Minor | 2 | 5A | 144 BPM | ||
| Kaffe | Marc Shaiman | D Minor | 1 | 7A | 74 BPM | ||
| 221B Baker Street - From The Granada Television Series Sherlock Holmes | Patrick Gowers | C Minor | 4 | 5A | 148 BPM | ||
| County Hall | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| Hotel Exterior | Original Soundtrack | E♭ Major | 3 | 5B | 87 BPM | ||
| Run Into A.B. | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Will He Come | Harry Gregson-Williams, Rupert Gregson-Williams | E Minor | 3 | 9A | 132 BPM | ||
| She's not selling she's buying | David Holmes | B♭ Minor | 2 | 3A | 140 BPM | ||
| Normandie (From "Claude Monet: The Immersive Experience") - From "Claude Monet: The Immersive Experience" | Michelino Bisceglia | G Major | 1 | 9B | 60 BPM | ||
| Day Drinking Harbinger of Doom | Jeff Toyne | D Minor | 1 | 7A | 173 BPM | ||
| La primera muerta | Fernando Velázquez | F Minor | 1 | 4A | 75 BPM | ||
| Lost in Space | Martin Phipps | B Minor | 1 | 10A | 84 BPM | ||
| A Requiem For The Count | Federico Jusid | D Minor | 1 | 7A | 99 BPM |