- BPM
- 138
- Key
- G Minor
- Camelot
- 6A
Cradle Song by Peter Warlock, Ian Bostridge, Julius Drake Song Details
"Cradle Song" by Peter Warlock, Ian Bostridge, Julius Drake had its release date on October 1, 1999. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "The English Songbook". In this album, this song's track order is #10. Based on our statistics, Cradle Song's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Cradle Song by Peter Warlock, Ian Bostridge, Julius Drake having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -33.94 dB
- Acousticness
- 98%
- Danceability
- 30%
- Energy
- 0%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 43%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | |
 | Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | |
 | Britten: Winter Words, Op. 52: No. 2, Midnight on the Great Western "The Journeying Boy" | Benjamin Britten, Ian Bostridge, Antonio Pappano | C Major | 1 | 8B | 70 BPM | |
![Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Kreuz und Krone sind verbunden by Mark Radcliffe, Peter Lissauer, Choir of King's College, Cambridge, Michael George, Micaela Comberti, Stephen Cleobury, Michael Chance, Ian Bostridge, David Blackadder, Academy of Ancient Music](https://i.scdn.co/image/ab67616d00001e025dd137cd184e498d968d9497) | Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Kreuz und Krone sind verbunden | Mark Radcliffe, Peter Lissauer, Choir of King's College, Cambridge, Michael George, Micaela Comberti, Stephen Cleobury, Michael Chance, Ian Bostridge, David Blackadder, Academy of Ancient Music | D♭ Minor | 0 | 12A | 77 BPM | |
 | Britten: Serenade, Op. 31: VI. Hymn | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 2 | 6A | 157 BPM | |
 | Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | D♭ Minor | 1 | 12A | 63 BPM | |
 | Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten | Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | D Major | 5 | 10B | 101 BPM | |
 | Schumann: Liederkreis, Op. 24: No. 6, Warte, warte, wilder Schiffsmann | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | E Major | 1 | 12B | 140 BPM | |
 | Der Himmel ist offen TVWV 1:295: Nr. 1 Chor »Der Himmel ist offen« | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | B Major | 2 | 1B | 96 BPM | |
 | Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | |
 | Beethoven: 7 British Songs, WoO 158b: No. 6, O Mary, Ye's Be Clad in Silk | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano, Nicolas Altstaedt, Vilde Frang | A Minor | 2 | 8A | 108 BPM | |
 | Schubert: Winterreise, Op. 89, D. 911: No. 1, Gute Nacht | Franz Schubert, Leif Ove Andsnes, Ian Bostridge | D Minor | 0 | 7A | 103 BPM | |
 | Finzi: Let us Garlands Bring, Op. 18: IV. O Mistress Mine | Gerald Finzi, Ian Bostridge | F♯ Major | 1 | 2B | 174 BPM | |
 | Ode for the Birthday of Queen Anne, HWV 74: II. Solo e Coro "The day that gave great Anna birth" | George Frideric Handel, Vocalconsort Berlin, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 3 | 3B | 96 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | St. Matthew Passion, Bwv 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D Major | 2 | 10B | 75 BPM | |
 | Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | |
| I. Christ Lag In Todes Banden BWV 4, 2. Coro (Versus I): Christ Lag In Todes Banden | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | |
| Tippet: Songs for Ariel: III. Where the Bee Sucks | Michael Tippett, Ian Bostridge | C Major | 2 | 8B | 75 BPM | |
 | Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 2: No. 39, Aria. Erbarme dich (Alto) | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | |
 | Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM | |
 | Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" | Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 3 | 5B | 109 BPM | |
 | I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records