Igor Stravinsky, Alexei Lubimov, Toronto Symphony Orchestra, Saraste, Jukka-Pekka Saraste's 'Stravinsky: Concerto for Piano and Wind Instruments: I. Largo - Allegro (1950 Version)' had a release date set for 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rachmaninov: Piano Concerto 4 * Stravisnky * Scriabin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Finland. In terms of popularity, Stravinsky: Concerto for Piano and Wind Instruments: I. Largo - Allegro (1950 Version) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stravinsky: Concerto for Piano and Wind Instruments: I. Largo - Allegro (1950 Version) by Igor Stravinsky, Alexei Lubimov, Toronto Symphony Orchestra, Saraste, Jukka-Pekka Saraste having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Firebird Suite (1919 Version): Lullaby - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
| The Miraculous Mandarin, Sz. 73: Introduction. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
| Souvenir de Florence, Op. 70: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
| Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, I. The Neighbors' Dance - Seguidillas | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
| Colas Breugnon Overture, Op. 24 | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic | F Major | 3 | 7B | 136 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| Rapsodie espagnole, M. 54: IV. Feria | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 2 | 8B | 99 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | A♭ Minor | 2 | 1A | 110 BPM | ||
| Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Louange à l'Éternité de Jésus (From "Quartet for the End of Time") | Olivier Messiaen, Yo-Yo Ma, Kathryn Stott | E Major | 0 | 12B | 83 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Piano Concerto in F Major: III. Allegro agitato | George Gershwin, André Previn, Andre Kostelanetz, André Kostelanetz Orchestra | E Major | 2 | 12B | 136 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM |