Sharda Sinha's ' "Nimiya Tale Doli Rakh De" was released on its scheduled release date, February 21, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Dulhin by Sharda Sinha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Nimiya Tale Doli Rakh De is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Nimiya Tale Doli Rakh De by Sharda Sinha is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jahiya Se Saiya Mora | Sharda Sinha | C Major | 6 | 8B | 116 BPM | ||
| Jane Kyon Log Mohabbat | Maratab Ali | G Major | 5 | 9B | 135 BPM | ||
| Logwaan Det - Kaahe Gaari | Sharda Sinha | D♭ Major | 5 | 3B | 90 BPM | ||
| Ek Dineroi Jiban Tabu | Amrik Singh Arora | B Minor | 5 | 10A | 134 BPM | ||
| Haar Naulakha De Ke | Dilraj Kaur | F♯ Major | 5 | 2B | 149 BPM | ||
| Vahe Purvaiya Sihravan Laage Ji | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Patavar Basale | Shakuntala Jadhav | B♭ Minor | 7 | 3A | 80 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Ami Tomar Sange Bendhechhi Amar Pran | Chinmoy Chatterjee | E♭ Major | 4 | 5B | 126 BPM | ||
| Kehu Lootera Kehu Chor | Asha Bhosle | F♯ Major | 5 | 2B | 91 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Kiriya Khake Kaha Raja Jaldi Aa Jaiha | Golu Raja | G Major | 10 | 9B | 95 BPM | ||
| Kahat Baade Bhairo Bhaiya | Bharat Sharma Vyas | C Minor | 8 | 5A | 143 BPM | ||
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Prbhu Durdin Se Pahile Aaja | MANOJ TIWARI | C Major | 5 | 8B | 97 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Ghoongta Uthaave Dulhaniya | Sharda Sinha | F♯ Minor | 8 | 11A | 75 BPM | ||
| Maiya Tere Dar Pe | Shri Prakash Gossai | A Major | 6 | 11B | 164 BPM | ||
| Kue Ka Thanda Pani | Devi | D♭ Major | 6 | 3B | 130 BPM | ||
| Jo Barbaad Hogi | Parmod Kumar Ajmeriya | B♭ Minor | 8 | 3A | 116 BPM | ||
| Chelaya Nu Haladu | Meena Patel | G Major | 5 | 9B | 94 BPM | ||
| Sitve Sajae K Sindur | Kumar Deepak | D Major | 8 | 10B | 95 BPM | ||
| Patna Se | Sharda Sinha | D♭ Major | 5 | 3B | 154 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM |