"Suite in A Minor, RCT 5: VII. Gavotte et six doubles" by Jean-Philippe Rameau, David Greilsammer had its release date on February 10, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 15 in Baroque Conversations by David Greilsammer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Suite in A Minor, RCT 5: VII. Gavotte et six doubles's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite in A Minor, RCT 5: VII. Gavotte et six doubles by Jean-Philippe Rameau, David Greilsammer is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Études dans le genre fugué, Op. 97: No. 12, Air. Lento | Anton Reicha, Ivan Ilić | E Major | 0 | 12B | 164 BPM | ||
| Nocturne No. 4 in A Major, H. 36 | John Field, Elizabeth Joy Roe | A Major | 1 | 11B | 68 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| 6 Preludes & Fugues by J.S. Bach, S. 462: No. 1, Fugue in A Minor (After BWV 543) | Franz Liszt, Khatia Buniatishvili | A Minor | 1 | 8A | 80 BPM | ||
| Concerto à 4 No. 1 in G Minor: III. Allegro | Baldassare Galuppi, Aglaia Ensemble | F♯ Minor | 1 | 11A | 168 BPM | ||
| Piano Suite No. 1 in G Minor, Op. 3 "Dans le style ancien": II. Fugue. Allegro moderato | George Enescu, Raluca Stirbat | D Minor | 1 | 7A | 130 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Emil Gilels | D♭ Minor | 1 | 12A | 99 BPM | ||
| Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
| Cello Concerto in D Major, G. 478: IV. Rondo comodo assai | Luigi Boccherini, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 85 BPM | ||
| Concerto in D minor, after Marcello, BWV 974: Adagio | Ivo Janssen | D Minor | 0 | 7A | 71 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Nocturne No.10 in E Major “Nocturne Pastorale”, H.54 | John Field, Elizabeth Joy Roe | E Major | 1 | 12B | 169 BPM | ||
| Suite en La Mineur, RCT 5: XII. Cinquième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 81 BPM | ||
| A Chloris (Arr. Milstein) | Reynaldo Hahn, Maria Milstein, Nathalia Milstein | E Major | 0 | 12B | 100 BPM | ||
| Les saisons, Op. 37b: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Péter Nagy | E Major | 3 | 12B | 84 BPM | ||
| Suite en La Mineur, RCT 5: VI. La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 81 BPM | ||
| Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar | A Minor | 3 | 8A | 64 BPM | ||
| Chaconne in G Major, HWV 435 | George Frideric Handel, Murray Perahia | G Major | 1 | 9B | 144 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Maria João Pires | E♭ Major | 0 | 5B | 63 BPM | ||
| Suite in D Minor, HWV 447: Courante | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 142 BPM | ||
| Piano Sonata No. 8 in A Minor, K. 310: I. Allegro maestoso | Wolfgang Amadeus Mozart, Murray Perahia | A Minor | 1 | 8A | 128 BPM | ||
| Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
| Concerto in Re minore: VI. Presto | Alessandro Marcello, Concerto Italiano, Rinaldo Alessandrini | D♭ Minor | 3 | 12A | 110 BPM |