"Å Kom, Å Kom Immanuel" by Rolf Lislevand, Bjergsted Jazzensemble had its release date on September 18, 2015. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Tourdion". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Norway. Å Kom, Å Kom Immanuel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Å Kom, Å Kom Immanuel by Rolf Lislevand, Bjergsted Jazzensemble having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
| La Furstemberg / La Royale | François Lazarevitch, Henry Purcell, François Rebel, François Francoeur, Les Musiciens De Saint-Julien | G Minor | 1 | 6A | 81 BPM | ||
| Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
| Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
| Fantasia | Rolf Lislevand, Bjergsted Jazzensemble | F Major | 3 | 7B | 106 BPM | ||
| Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | B♭ Major | 1 | 6B | 141 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| La Mascarade, Rondeau | Robert de Visée, Rolf Lislevand | F♯ Major | 1 | 2B | 86 BPM | ||
| Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Gratioso | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Giga ingles | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | G Minor | 1 | 6A | 114 BPM | ||
| Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Folias Gallegas | Santiago De Murcia, Jordi Savall, Hespèrion XXI | D Major | 1 | 10B | 147 BPM | ||
| Refrain 2 | Stephen Stubbs | A Minor | 0 | 8A | 93 BPM | ||
| Passacalles por la X | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | E Minor | 0 | 9A | 95 BPM | ||
| Passamezzo per la O | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 116 BPM | ||
| Divisions on a Ground | Thomas Tollett, Lucie Horsch, Charlotte Barbour-Condini | F♯ Major | 1 | 2B | 109 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
| The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
| La Guitarre Royalle: Gigue 'cherie du Roy' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 1 | 3B | 98 BPM | ||
| Le nymphe di Rheno, Op. 8, Suite in G Minor: II. Allegro - Adagio | Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer | F♯ Minor | 0 | 11A | 96 BPM | ||
| Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM |