Harry Partch's 'Hand Instruments, Partch in Epilogue' had a release date set for 1969. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The World of Harry Partch". In this album, this song's track order is #19. Based on our statistics, Hand Instruments, Partch in Epilogue's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Hand Instruments, Partch in Epilogue by Harry Partch having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Actinium | Xenia Pestova Bennett, Ligeti Quartet | D Major | 1 | 10B | 100 BPM | ||
| Te Encontré en la Fería | Conjunto Qocha Sumaq | E Minor | 4 | 9A | 135 BPM | ||
| Even Wild Horses. Dance Music for an Absent Drama, Act I, Scene II: Rhythm of the Womb - Melody of the Grave (Heartbeat Rhythm) | Harry Partch, Gate 5 Ensemble, Horace Schwartz | B♭ Major | 2 | 6B | 117 BPM | ||
| 3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": I. Preludio | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | E♭ Major | 2 | 5B | 89 BPM | ||
| grevillea | Hiroshi Suzuki, Maki Takagi | D Major | 5 | 10B | 110 BPM | ||
| Delusion of the Fury, Act I: Treats with Death and with Life Despite Death: Pray for Me | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 1 | 8A | 121 BPM | ||
| Hand Instruments, Partch in Epilogue | Harry Partch | D♭ Major | 2 | 3B | 123 BPM | ||
| Anthem of the Trinity | Terry Riley | F♯ Minor | 1 | 11A | 101 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
| Mio Jeone | Thelma | G Minor | 2 | 6A | 75 BPM | ||
| Second Etude | Michael Rosas Cobian, Gabriela Ortiz | A Major | 2 | 11B | 67 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Canoe | John Lurie | F Major | 1 | 7B | 143 BPM | ||
| King Oedipus: Antiphony | Harry Partch, Bruce Cook, Rudolphhine Radil, William Derrell, Elvena Green, Robert Hood, Allan Louw, Ian Zellick, Gregory Millar, Margaret Calhoun, Marjorie Sweazey, George Probert, Ellen Ohdner, Dante Zaro, Ute Miessner, Barbara Browning, Jane Van Rysselberghe, Darlene Mahnke, Patricia Carey, Angela Thorpe, Nancy Wiebenson, Sheila Bates, Elizabeth Brunswick, Jackie Fox | B♭ Major | 2 | 6B | 121 BPM | ||
| Eleven Intrusions IX: Soldiers-War-Another War | Harry Partch, Bill Snead, Betty Johnston, Donald Pippin, Ben Johnston | D♭ Minor | 0 | 12A | 99 BPM | ||
| Peligrosa | JuanMC | B♭ Minor | 4 | 3A | 131 BPM | ||
| Solo Hicaz Taksim | Emre Atay | C Major | 0 | 8B | 79 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Dawns | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM |