"Jane Eyre: Rochester's Past - The Fire" by Bernard Herrmann, Slovak Radio Symphony Orchestra, Adriano had its release date on August 8, 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bernard Herrmann's "Herrmann: Jane Eyre" album is number 10 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Jane Eyre: Rochester's Past - The Fire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jane Eyre: Rochester's Past - The Fire by Bernard Herrmann, Slovak Radio Symphony Orchestra, Adriano to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dois e o Mar | Hareton Salvanini | D Major | 3 | 10B | 84 BPM | ||
| Uccidere in silenzio 1 | Nora Orlandi, Stelvio Cipriani | F Major | 1 | 7B | 63 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Back To Roslyn | Daniel Lopatin | D Major | 1 | 10B | 142 BPM | ||
| Blade Runner Blues | Vangelis | F Minor | 7 | 4A | 123 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Theme from Taxi Driver - Reprise | Bernard Herrmann, Dave Blume | D Minor | 5 | 7A | 158 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| December | Gianni Marchetti | F Minor | 1 | 4A | 95 BPM | ||
| Thème de Mathilde - Bande originale du film "L'armée des ombres" | Eric Demarsan | E Major | 3 | 12B | 82 BPM | ||
| Quella chiara notte d'Ottobre | Armando Trovajoli | C Major | 2 | 8B | 88 BPM | ||
| House of Woodcock | Jonny Greenwood | D Minor | 1 | 7A | 67 BPM | ||
| White Sands | Alessandro Alessandroni | B♭ Major | 5 | 6B | 76 BPM | ||
| Laura | Charlie Parker | G Major | 3 | 9B | 84 BPM | ||
| Memories of Green | Vangelis | D Major | 0 | 10B | 170 BPM | ||
| Seven Samurai | Fumio Hayasaka | C Major | 2 | 8B | 144 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 80 BPM | ||
| Touching Hands | Sven Libaek | D Minor | 0 | 7A | 95 BPM | ||
| Canzone disperata | Bruno Nicolai | F Major | 1 | 7B | 63 BPM | ||
| Abandoning The Wedding | Rolfe Kent | G Minor | 0 | 6A | 173 BPM | ||
| Love Theme | Michael Small | C Major | 3 | 8B | 107 BPM | ||
| First Entrance To The Desert/ Night And Star/ Lawerence And Tafas | Philharmonia Orchestra, Tony Bremner | G Major | 2 | 9B | 113 BPM | ||
| Sabbia e mare | Berto Pisano | C Minor | 2 | 5A | 98 BPM | ||
| Temptation | Bernard Herrmann | B♭ Minor | 0 | 3A | 92 BPM |