"Abandoning The Wedding" by Rolfe Kent had its release date on October 12, 2004. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Sideways (Original Motion Picture Score)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. The popularity of Abandoning The Wedding is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abandoning The Wedding by Rolfe Kent having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Annie And Dean | Michael Kamen | D Minor | 0 | 7A | 102 BPM | ||
| A New Day | George Fenton | E♭ Major | 2 | 5B | 75 BPM | ||
| Their Pie (Hawthorne Version) | Mark Orton | A♭ Major | 3 | 4B | 162 BPM | ||
| Love Scene - From "Four Weddings and a Funeral" | Richard Rodney Bennett, The Royal Philharmonic Orchestra/Nic Raine | A♭ Major | 1 | 4B | 56 BPM | ||
| Freddie's World | Jeff Beal | A Major | 2 | 11B | 148 BPM | ||
| The French Lady | Daniel Pemberton | C Major | 4 | 8B | 89 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Sentencing | Christopher Bear | E Minor | 0 | 9A | 77 BPM | ||
| Lonely Room | Hollywood Studio Symphony Orchestra, Adolph Deutsch | A♭ Minor | 2 | 1A | 118 BPM | ||
| Corso | Wojciech Kilar | A Minor | 1 | 8A | 128 BPM | ||
| Resoluciones | Almas Paralelas | E♭ Minor | 2 | 2A | 98 BPM | ||
| Handwriting | Nico Muhly | E Minor | 0 | 9A | 86 BPM | ||
| Ambulance | Rolfe Kent | A Major | 1 | 11B | 84 BPM | ||
| mrs. gruener accepts him | David Torn | A Minor | 0 | 8A | 88 BPM | ||
| I Built Myself A Life | Mark Isham | A♭ Major | 1 | 4B | 82 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| Blues For Harry (Combo) | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Playground | Terence Blanchard | D♭ Major | 1 | 3B | 95 BPM | ||
| Grown Up Conversation | Theodore Shapiro | G Major | 1 | 9B | 96 BPM | ||
| Prospectors Arrive | Jonny Greenwood | F Minor | 2 | 4A | 66 BPM | ||
| The Train Leaves | Emilio Kauderer, Federico Jusid, And Sebastian Kauderer | E♭ Major | 1 | 5B | 95 BPM | ||
| I'm Happy Today | Mark Isham | A♭ Major | 1 | 4B | 166 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM |