"La tromba di Polydor (From "La Dolce Vita")" by Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Giuseppe Bodanza, Milan La Scala Philharmonic Orchestra had its release date on 1995. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Rota: Music for Film". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, La tromba di Polydor (From "La Dolce Vita") is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La tromba di Polydor (From "La Dolce Vita") by Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Giuseppe Bodanza, Milan La Scala Philharmonic Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Celesta Taboo Lament (Title Edit) - Bonus Track | Max Richter | G Major | 3 | 9B | 170 BPM | ||
| Theme From Love Story | Francis Lai | A Minor | 1 | 8A | 75 BPM | ||
| Malena - Titoli di coda | Ennio Morricone, Accademia Musicale Italiana | E Major | 1 | 12B | 89 BPM | ||
| The Straight Story: Rose's Theme - From "The Straight Story" | Angelo Badalamenti | F Major | 1 | 7B | 119 BPM | ||
| Murder Of Don Fanucci | Marcia Religioso, Festa March | C Minor | 5 | 5A | 120 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| Malena | Ennio Morricone, Accademia Musicale Italiana | C Major | 1 | 8B | 110 BPM | ||
| Los Paraguas de Cherburgo - De: "Los Paraguas de Cherburgo" | Henry Salomon y su Orquesta | C Minor | 2 | 5A | 115 BPM | ||
| The Brothers Mourn | Nino Rota, Carmine Coppola | C Major | 2 | 8B | 82 BPM | ||
| Main Title (I Had A Farm In Africa) | John Barry | C Major | 3 | 8B | 85 BPM | ||
| Doctor Zhivago (Main Title) | Maurice Jarre | A Minor | 2 | 8A | 101 BPM | ||
| Trishna's Waltz | Shigeru Umebayashi | E Minor | 2 | 9A | 130 BPM | ||
| (In Bobo's Restaurant) Canzone Per Loretta / Addio, Mulberry Street | Dick Hyman, Jack Zaza | G Major | 1 | 9B | 100 BPM | ||
| THEME FROM A CLOCKWORK ORANGE | The Starlite Orchestra & Singers | E Major | 5 | 12B | 155 BPM | ||
| Il Gladiatore | Hans Zimmer, Luciano Pavarotti, Bulgarian Symphony Choir, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra, Rob Mathes | E Minor | 4 | 9A | 84 BPM | ||
| The Godfather: VIII. End Title (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra | G Minor | 2 | 6A | 94 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| My Family | Evanthia Reboutsika | D Minor | 3 | 7A | 98 BPM | ||
| Pensando a Bellini | Paolo Buonvino, Rossella Ruini | A Minor | 2 | 8A | 82 BPM | ||
| Ladies in Waiting | Martin Phipps | G Minor | 4 | 6A | 156 BPM | ||
| C'era una volta il West (Main Theme) | Ennio Morricone, Edda Dell'Orso | B♭ Major | 4 | 6B | 110 BPM | ||
| The Godfather | Audrey, the Hepburns | G Minor | 2 | 6A | 101 BPM | ||
| Nocturne, B. 49: Lento con gran espressione in C-Sharp Minor | Frédéric Chopin, Janusz Olejniczak | D♭ Major | 0 | 3B | 94 BPM | ||
| The Third Man (The Harry Lime Theme) | Malcolm Lockyer Orchestra | C Major | 2 | 8B | 132 BPM |