Variations On A Rococo Theme, Op.33, TH.57: Variazione VII e Coda: Allegro vivo by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky Song Details

Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky's ' "Variations On A Rococo Theme, Op.33, TH.57: Variazione VII e Coda: Allegro vivo" was released on its scheduled release date, January 1, 1961. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Variations On A Rococo Theme, Op.33, TH.57: Variazione VII e Coda: Allegro vivo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Shostakovich: Cello Concerto No. 2. Tchaikovsky: Rococo Variations; Andante cantabile. Glazunov: Chant du Ménestrel". In this album, this song's track order is #13. Based on our statistics, Variations On A Rococo Theme, Op.33, TH.57: Variazione VII e Coda: Allegro vivo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Variations On A Rococo Theme, Op.33, TH.57: Variazione VII e Coda: Allegro vivo by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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Popularity: 2%
Loudness: -16.36 dB
Acousticness: 98%
Danceability: 41%
Energy: 30%
Instrumentalness: 92%
Liveness: 10%
Loudness: 73%
Speechiness: 4%
Valence: 56%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Stolze & Tchaikovsky: Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24)	Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra	E♭ Major	0	5B	118 BPM
Scheherazade: The Fight	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Minor	1	9A	80 BPM
Sylvia: Act I: Valse lente	Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia	A♭ Major	0	4B	111 BPM
Jeux D'Eau	Maurice Ravel, André Laplante	A Major	1	11B	128 BPM
Piano Concerto No. 23 in A Major, K. 488: II. Adagio	Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini	F♯ Minor	0	11A	108 BPM
Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
VII. Cinderella's Waltz	Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar	G Major	3	9B	194 BPM
L'Arlésienne Suite No.2: Pastorale	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	80 BPM
Strauss II, J: Frühlingsstimmen, Op. 410	Johann Strauss II, Hallé, Bryden Thomson	B♭ Major	0	6B	103 BPM
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244	Franz Liszt, Roberto Szidon	D♭ Major	3	3B	102 BPM
Requiem: IIa. Dies irae	Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev	C Minor	4	5A	88 BPM
Fee des Lilas (Variation VI)	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	C Major	3	8B	116 BPM
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile	Pyotr Ilyich Tchaikovsky, New Haydn Quartet	B♭ Major	0	6B	89 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, David Zinman	C Minor	0	5A	173 BPM
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Symphony No. 40 in G Minor, K. 550: I. Molto allegro	Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle	G Minor	2	6A	110 BPM
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro	Antonio Vivaldi, Adrian Chandler, La Serenissima	G Minor	2	6A	147 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto	Ludwig van Beethoven, Paul Lewis	D♭ Minor	0	12A	172 BPM
Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013	Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz	A Minor	2	8A	87 BPM
Lyric Pieces, Book 1, Op. 12: Arietta	Edvard Grieg, Einar Steen-Nøkleberg	E♭ Major	0	5B	111 BPM
Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli)	Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa	G Minor	3	6A	116 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM