Pierre Boulez, Jared Redmond's '12 Notations: I. Fantasque. Modéré' had a release date set for May 17, 2025. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Scintillant: Scarlatti, Boulez, Soler". In this album, this song's track order is #4. Based on our statistics, 12 Notations: I. Fantasque. Modéré's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Notations: I. Fantasque. Modéré by Pierre Boulez, Jared Redmond having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto in F-Sharp Minor, Op. 20: II. Andante – Allegro scherzando – Adagio – Allegretto – Tempo I | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 69 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | ||
| Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | A Major | 0 | 11B | 65 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
| Pierrot lunaire, Op. 21: Part III - 19. Serenade | Arnold Schoenberg, Pierre Boulez, Daniel Barenboim, Yvonne Minton, Pinchas Zukerman, Lynn Harrell, Michel Debost, Anthony Pay | D Major | 2 | 10B | 85 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
| Pierrot lunaire, Op. 21: Part II - 11. Rote Messe | Arnold Schoenberg, Pierre Boulez, Daniel Barenboim, Yvonne Minton, Pinchas Zukerman, Lynn Harrell, Michel Debost, Anthony Pay | A Major | 1 | 11B | 143 BPM | ||
| Symphony No. 7 in E Major, WAB 107 (Ed. Haas): I. Allegro moderato | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 87 BPM | ||
| 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 71 BPM | ||
| Die Jakobsleiter: "Dies Entweder und dies Oder" | Arnold Schoenberg, Siegmund Nimsgren, Paul Hudson, Pierre Boulez, BBC Symphony Orchestra | F Major | 5 | 7B | 172 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
| Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
| The Miraculous Mandarin, Sz. 73: Introduction. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
| Moses und Aron, Act I: Scene IV - "Erkennt euch darin" | Arnold Schoenberg, Pierre Boulez, BBC Symphony Orchestra, Richard Cassilly, Gillian Knight, Jane Manning, Helen Watts, Philip Langridge, Michael Rippon, Richard Angas, Denis Wicks, Gunter Reich, John Noble, BBC Singers, Orpheus Boys' Choir | D Major | 3 | 10B | 75 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM |