Christian Borle, Andrew Rannells, Anthony Rosenthal, Stephanie J. Block, Brandon Uranowitz's ' "This Had Better Come to a Stop" was released on its scheduled release date, December 16, 2016. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. This Had Better Come to a Stop's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 34 in Falsettos (2016 Broadway Cast Recording) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, This Had Better Come to a Stop is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of This Had Better Come to a Stop by Christian Borle, Andrew Rannells, Anthony Rosenthal, Stephanie J. Block, Brandon Uranowitz is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Plan | Christopher Sieber, 'Death Becomes Her' Original Broadway Cast | F♯ Major | 3 | 2B | 175 BPM | ||
| Strike That, Reverse It | Christian Borle, Emma Pfaeffle, Michael Wartella, Trista Dollison, F. Michael Haynie | D♭ Major | 6 | 3B | 154 BPM | ||
| More Than Survive - Reprise | Will Connolly, 'Be More Chill' Ensemble | A Major | 6 | 11B | 156 BPM | ||
| Ireland | Orfeh | D♭ Major | 1 | 3B | 113 BPM | ||
| It Only Takes a Taste | Drew Gehling, Jessie Mueller | F♯ Major | 3 | 2B | 111 BPM | ||
| Yo Girl | Kevin Murphy, Laurence O'Keefe, Jessica Keenan Wynn, Evan Todd, Michelle Duffy, Barrett Wilbert Weed, Jon Eidson | F♯ Minor | 7 | 11A | 108 BPM | ||
| This Had Better Come to a Stop | Christian Borle, Andrew Rannells, Anthony Rosenthal, Stephanie J. Block, Brandon Uranowitz | D Major | 6 | 10B | 111 BPM | ||
| Take It Like a Man | Christian Borle, Laura Bell Bundy | B Major | 3 | 1B | 135 BPM | ||
| Misery, Agony, Helplessness, Hopelessness, Heartache and Woe | Elizabeth Stanley, James Snyder, Chestor Gregory II, Carly Jibson, Meg Buckley | D♭ Major | 5 | 3B | 120 BPM | ||
| Find My Way / Finale | Laura Bell Bundy, Orfeh, 'Legally Blonde' Ensemble | A♭ Major | 4 | 4B | 89 BPM | ||
| Set Those Sails | Mary Testa, Farah Alvin, James Sasser, Kristin Woodbury | F Major | 4 | 7B | 144 BPM | ||
| Absolute Rose | Eva Noblezada, Samantha Pauly, John Zdrojeski, Noah J. Ricketts, Original Broadway Cast of The Great Gatsby - A New Musical | G Minor | 5 | 6A | 120 BPM | ||
| Jason's Bar Mitzvah | 'Falsettos' 2016 Broadway Company | E Major | 3 | 12B | 82 BPM | ||
| Not Your Seed | The Guy Who Didn't Like Musicals Cast | A♭ Major | 4 | 4B | 60 BPM | ||
| The Smartphone Hour (Rich Set a Fire) | Katie Ladner, Katlyn Carlson, Lauren Marcus, 'Be More Chill' Ensemble | B♭ Major | 7 | 6B | 173 BPM | ||
| Natasha & Bolkonskys | Denée Benton, Gelsey Bell, Nicholas Belton | B Minor | 4 | 10A | 115 BPM | ||
| Bottom's Gonna Be on Top | Brian D'Arcy James, 'Something Rotten' Company, Kurt Deutsch, Kevin McCollum, Wayne Kirkpatrick, Karey Kirkpatrick | C Major | 6 | 8B | 194 BPM | ||
| This River Between Us | Norbert Leo Butz, Bobby Steggert | C Major | 5 | 8B | 111 BPM | ||
| We're Not Sorry | Spencer Kayden | D♭ Major | 4 | 3B | 115 BPM | ||
| Let It Out | The Guy Who Didn't Like Musicals Cast | A Major | 5 | 11B | 192 BPM | ||
| Who's Crazy/My Psychopharmacologist and I | Next To Normal 2024 Original London Company | G Minor | 4 | 6A | 84 BPM | ||
| I Love You Like a Table | Christopher Fitzgerald, Kimiko Glenn, Waitress Original Broadway Cast Ensemble | A♭ Major | 6 | 4B | 126 BPM | ||
| If I Fail You | StarKid Productions | A Major | 3 | 11B | 141 BPM | ||
| So Big / So Small | Rachel Bay Jones | G Major | 2 | 9B | 88 BPM | ||
| Tomorrow Belongs to Me (Reprise) | Michele Pawk, Denis O'Hare, Cabaret Ensemble (1998) | B♭ Major | 2 | 6B | 111 BPM |