On December 9, 2023, the song "Kadhen Angan Aayes" was released by Haider Rind. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Haider Rind's "Mehndi Rung La Gorey" album is number 2 out of 8. On top of that, Pakistan appears to be the country where this track was created. In terms of popularity, Kadhen Angan Aayes is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kadhen Angan Aayes by Haider Rind to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Yeh Sila Mila Hai Mujhko | Maratab Ali | B Minor | 7 | 10A | 121 BPM | ||
| Aeke Karvatiya Kari Sejiya Par Bhor | Bharat Sharma Vyas | F Minor | 6 | 4A | 133 BPM | ||
| Raat Monkhay Khuwab Mai | Ghulam Hussain Umrani | F♯ Major | 10 | 2B | 103 BPM | ||
| Aake le lo hamai | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 7 | 11A | 80 BPM | ||
| Mata Rani ki Bhent । देसी घी दी वासना आवे मईया तेरे मंदिरों विच । Kala Ram & Renu Kumar । जरूर सुने | Raju Saini, Guga Jaharpeer Status Dharamgarh | E Minor | 7 | 9A | 96 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Balumama Aala Rn Majha | Balasaheb Bhagat, Jagdish Gorse, Vithal Shinde, Rahul Shinde, Santosh Nayak, Makrand Sardeshmukh | E Minor | 1 | 9A | 103 BPM | ||
| Kehra Pakhi Tou Modey | Haider Rind | E♭ Minor | 8 | 2A | 123 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Vaibryo Tho Lagey | Haider Rind | F♯ Major | 5 | 2B | 76 BPM | ||
| He Mahakalike Mate Bhuvaneshwari | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| Aat Ghatlay Saaman Mi | Anand Shinde, Sulochna Chauhaan | C Minor | 6 | 5A | 144 BPM | ||
| Vijadi Ne Chamkare | Damyanti Bardai | F Minor | 8 | 4A | 103 BPM | ||
| Peero Ke Peer Hai Lakhdata | Balbir Takhi, Kuldip Mahi, Sohan Lal Saini | F Major | 4 | 7B | 76 BPM | ||
| Apon Manush Chena Dai Re | Sukumar Baul | A♭ Major | 6 | 4B | 146 BPM | ||
| Bedard Kudi | Sanam Deep | D♭ Major | 4 | 3B | 130 BPM | ||
| Javna Rog Ke Dawaai Na | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 175 BPM | ||
| To Lae Maryo Tho Wayan | Urs Chandio | G Major | 8 | 9B | 107 BPM | ||
| Jindagi Aaj Fir Satati Hai | Naushad Sabri | D♭ Major | 6 | 3B | 158 BPM | ||
| Mil Gaya Unka Dar Jisko Taqdeer Se - Islamic | Aslam Sabri | B♭ Major | 5 | 6B | 94 BPM | ||
| Amar Barir Pison Diya | Momtaz, Rekha Akter, Nila Pagli | F♯ Major | 8 | 2B | 99 BPM | ||
| Mujhe Leke Chalo Na Khwaja Ke Mele Mein | Sakhi Hamid Husain | F♯ Major | 9 | 2B | 176 BPM | ||
| Bhulavle Bhulavle Harila | Surykant Shinde | A Major | 7 | 11B | 125 BPM | ||
| Raja Janak Ji Ke Baag Mein | Santosh Kumar | F♯ Major | 5 | 2B | 141 BPM |