Joe Bonamassa's 'Driving Towards the Daylight - Live' had a release date set for March 22, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 21 in An Acoustic Evening (Live at the Vienna Opera House) by Joe Bonamassa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Driving Towards the Daylight - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Driving Towards the Daylight - Live by Joe Bonamassa is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hot Blooded - Live At Swr1 | Foreigner | B Major | 8 | 1B | 117 BPM | ||
| Self-Inflicted Wounds | Joe Bonamassa | F♯ Minor | 6 | 11A | 139 BPM | ||
| Searching For Love | Doyle Bramhall II, Norah Jones | A Minor | 6 | 8A | 79 BPM | ||
| Only Teardrops Fall | The Rides | E Minor | 6 | 9A | 94 BPM | ||
| Old Love | King King, Alan Nimmo | A Major | 8 | 11B | 118 BPM | ||
| Can't Get Enough Of Loving You | The Rides | E Minor | 6 | 9A | 133 BPM | ||
| Turn My Head - Live | Live | B Major | 7 | 1B | 176 BPM | ||
| Lefty 2 Guns | Dom Martin | A♭ Major | 4 | 4B | 164 BPM | ||
| Down To The River | Trampled Under Foot | B Minor | 8 | 10A | 115 BPM | ||
| There Was A Place | The Rides | F♯ Minor | 5 | 11A | 138 BPM | ||
| Miracle (feat. Larry Samford) | The Rocky Athas Group, Larry Samford | F♯ Minor | 7 | 11A | 145 BPM | ||
| She Talks To Angels - Live | The Black Crowes | D♭ Major | 8 | 3B | 77 BPM | ||
| Mountain Time - Live | Joe Bonamassa | G Major | 6 | 9B | 155 BPM | ||
| Gambler's Roll | Stevie Nimmo | G Major | 9 | 9B | 106 BPM | ||
| A Thousand Heartaches | Mike Zito, Albert Castiglia, Joe Bonamassa | E Minor | 7 | 9A | 144 BPM | ||
| Further on Down the Line | Ben Poole | F♯ Minor | 8 | 11A | 87 BPM | ||
| She Talks to Angels | The Black Crowes | E Major | 3 | 12B | 146 BPM | ||
| Badlands | Trampled Under Foot | G Minor | 6 | 6A | 106 BPM | ||
| A Long History of Love | King King | C Major | 8 | 8B | 102 BPM | ||
| I Just Want To Make Love To You | Peter Frampton Band, Kim Wilson | E Minor | 5 | 9A | 85 BPM | ||
| I Used to Love You | Thorbjørn Risager & The Black Tornado, The Black Tornado | G Minor | 7 | 6A | 176 BPM | ||
| Stay | Back Door Slam, Davy Knowles | D Major | 4 | 10B | 163 BPM | ||
| When The Blues Catch Up With You | Buddaheads | G Major | 6 | 9B | 206 BPM | ||
| Always With Me | Danny Bryant's Redeyeband | F♯ Minor | 8 | 11A | 138 BPM | ||
| Longing for a Woman | Ben Poole | E Minor | 3 | 9A | 185 BPM |