Emery's 'The Weakest' had a release date set for January 1, 2005. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Question". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of The Weakest is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Weakest by Emery having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm the Best at Ruining My Life | From Autumn To Ashes | D Major | 9 | 10B | 153 BPM | ||
| The Transition | Hawthorne Heights | D♭ Minor | 9 | 12A | 167 BPM | ||
| Amazing, Because It Is | The Almost | E Major | 4 | 12B | 75 BPM | ||
| Four Wall Blackmail - Dead Poetic Album Version | Dead Poetic | D Major | 8 | 10B | 142 BPM | ||
| You're Ever So Inviting | Underoath | D Minor | 10 | 7A | 180 BPM | ||
| The Bradley | Further Seems Forever | B♭ Minor | 9 | 3A | 146 BPM | ||
| I Mostly Copy Other People | The Almost | C Major | 9 | 8B | 174 BPM | ||
| The Widow | As Cities Burn | E♭ Major | 6 | 5B | 108 BPM | ||
| The Weakest | Emery | A♭ Major | 9 | 4B | 170 BPM | ||
| Dance, Dance, Christa Paffgen | Anberlin | A Minor | 7 | 8A | 140 BPM | ||
| 12 Hours 630 Miles | Dance Gavin Dance | G Minor | 10 | 6A | 183 BPM | ||
| Medicating | Boys Night Out | B Minor | 9 | 10A | 167 BPM | ||
| Who Needs Air | The Classic Crime | D♭ Major | 8 | 3B | 170 BPM | ||
| Through Waiting | Greeley Estates | D Major | 9 | 10B | 168 BPM | ||
| Insult To Injury | Beloved | G Major | 9 | 9B | 146 BPM | ||
| Devil In Jersey City | Coheed and Cambria | D Major | 10 | 10B | 82 BPM | ||
| All We Ever Needed | The Early November | F♯ Major | 5 | 2B | 91 BPM | ||
| As If Everything Was Held In Place | Of Machines | A Minor | 9 | 8A | 130 BPM | ||
| Churches And Serial Killers | Emery | F Minor | 9 | 4A | 128 BPM | ||
| Lonely Wheel | The Almost | G Major | 10 | 9B | 164 BPM | ||
| Dear Child (I've Been Dying to Reach You) | Anthony Green | E Major | 9 | 12B | 147 BPM | ||
| When The Sun Sleeps | Underoath | E Minor | 10 | 9A | 148 BPM | ||
| Bleed For You | Hidden In Plain View | E Major | 10 | 12B | 140 BPM | ||
| Into The Sea | As Cities Burn | A♭ Minor | 6 | 1A | 122 BPM | ||
| Must've Run All Day | Glassjaw | A Minor | 7 | 8A | 109 BPM |