Steve Reich, Evan Ziporyn's 'New York Counterpoint: III. Fast' had a release date set for 1997. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "New York Counterpoint, Eight Lines, Four Organs". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. New York Counterpoint: III. Fast is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With New York Counterpoint: III. Fast by Steve Reich, Evan Ziporyn having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Cambio de papeles. | mark | A♭ Minor | 3 | 1A | 180 BPM | ||
| Six Pianos (Rework Section III) | Leon Weber, Steve Reich, LCAW | B Minor | 8 | 10A | 196 BPM | ||
| Mio Jeone | Thelma | D Major | 8 | 10B | 96 BPM | ||
| Mallet Quartet: III. Fast | Steve Reich, Third Coast Percussion | B♭ Minor | 4 | 3A | 177 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | D Major | 0 | 10B | 210 BPM | ||
| Fische | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | F Minor | 1 | 4A | 114 BPM | ||
| Ainadamar: Water and Horse Prelude | Osvaldo Golijov, Atlanta Symphony Orchestra, Robert Spano, Jeremy Flower | C Minor | 4 | 5A | 121 BPM | ||
| The Cave, Act 1 Scene 1: Typing Music (Genesis XVI) | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | C Major | 9 | 8B | 160 BPM | ||
| The Politics of Digital Audio | Oval | F Major | 4 | 7B | 97 BPM | ||
| Off The Books | Phathaba | D♭ Major | 6 | 3B | 175 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Re Bo No | Simon Zöchbauer, Federspiel | D Major | 8 | 10B | 96 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Ikaru | Fabio Caramuru | D Major | 1 | 10B | 75 BPM | ||
| Frog Bog | Moondog | A Minor | 6 | 8A | 180 BPM | ||
| The Sinking of the Titanic: 5. Hymn III | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 1 | 4B | 73 BPM | ||
| Power Spot | Jon Hassell | C Major | 4 | 8B | 151 BPM | ||
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM |