Variations on a Rococo Theme, Op. 33, TH 57: Variazione VII e Coda: Allegro vivo by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra Song Details

"Variations on a Rococo Theme, Op. 33, TH 57: Variazione VII e Coda: Allegro vivo" by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra had its release date on January 1, 1997. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Variations on a Rococo Theme, Op. 33, TH 57: Variazione VII e Coda: Allegro vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations on a Rococo Theme, Op. 33, TH 57: Variazione VII e Coda: Allegro vivo by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -37.26 dB
Acousticness: 97%
Danceability: 8%
Energy: 0%
Instrumentalness: 30%
Liveness: 7%
Loudness: 38%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	C Minor	0	5A	85 BPM
Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	E Major	0	12B	66 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM
Symphony No. 7 in A Major, Op. 92: II. Allegretto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	E Minor	0	9A	68 BPM
Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1	Frédéric Chopin, Maurizio Pollini	D♭ Major	0	3B	75 BPM
Requiem: IIa. Dies irae	Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev	C Minor	4	5A	88 BPM
The Blue Danube	Johann Strauss II, Eugene Ormandy	D Major	1	10B	176 BPM
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return)	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	D Major	0	10B	134 BPM
Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E Minor	2	9A	101 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto	Charles Gounod, Berliner Philharmoniker, Herbert von Karajan	E Major	1	12B	90 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)	Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	0	11B	85 BPM
Scheherazade: The princess in a palanquin	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	166 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	G Major	3	9B	81 BPM
Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto	Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov	G Major	5	9B	155 BPM
Concerto in D Minor for Two Violins, BWV 1043: Vivace	Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent	A Minor	2	8A	94 BPM
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2	Frédéric Chopin, Daniel Barenboim	E♭ Major	0	5B	79 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Orpheus in the Underworld: Cancan	Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker	D Major	6	10B	152 BPM
Sorochintsi Fair, Act I: Gopak (Hopak)	Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean	G Major	2	9B	127 BPM
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers	Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky	A Major	3	11B	176 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	136 BPM