MALTA's 'A Letter from September 2010' had a release date set for November 24, 2010. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. A Letter from September 2010's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in MALTA's "Malta de Chopin" album is number 11 out of 11. On top of that, Japan appears to be the country where this track was created. Based on our statistics, A Letter from September 2010's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Letter from September 2010 by MALTA to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Accadde a Yellow Park | Arawak | B♭ Minor | 4 | 3A | 92 BPM | ||
| E-DAY PROJECT | Ryuichi Sakamoto, Kazumi Watanabe | F Major | 6 | 7B | 122 BPM | ||
| スプリング・ウォーク | Toshiyuki Honda | B♭ Major | 4 | 6B | 156 BPM | ||
| Tequila Toast | Masaki Matsubara | B Minor | 6 | 10A | 201 BPM | ||
| レティシア | Akira Inoue | D♭ Major | 5 | 3B | 95 BPM | ||
| M.R.I_Mirai | かつしかトリオ | E Minor | 10 | 9A | 170 BPM | ||
| A LETTER FROM SEPTEMBER | MALTA | A Minor | 3 | 8A | 136 BPM | ||
| Night Train | 杉本喜代志 | B♭ Minor | 6 | 3A | 117 BPM | ||
| SUNSHINE BLVD | Masaru Imada, 今田あきら, Toshiyuki Honda | D♭ Major | 6 | 3B | 86 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| Miles Away | Yuji Toriyama | G Major | 6 | 9B | 124 BPM | ||
| My Precious Heart | かつしかトリオ | A Minor | 4 | 8A | 80 BPM | ||
| HUMMING FROGS - 2020 Remaster | 和田アキラ | C Major | 5 | 8B | 71 BPM | ||
| Transfusion | Hiroshi Sato | A Major | 8 | 11B | 112 BPM | ||
| ジェントル・ウェイヴ | 稲垣次郎とソウル・メディア | G Minor | 3 | 6A | 112 BPM | ||
| MARAVAL | Sadao Watanabe | B♭ Major | 5 | 6B | 142 BPM | ||
| GO OVER THE HILL | Noriki | A Major | 3 | 11B | 146 BPM | ||
| Everlasting Dreams | Minoru Mukaiya | G Minor | 7 | 6A | 90 BPM | ||
| ISLAND | JIMSAKU | F Major | 5 | 7B | 136 BPM | ||
| CHARCOAL BREAK | NANIWA EXPRESS | B♭ Major | 6 | 6B | 103 BPM | ||
| ミ・アモーレ (Meu amor e...) - Rerecorded Version; 2017 Remaster | Naoya Matsuoka | A♭ Major | 9 | 4B | 114 BPM | ||
| DAILY BREAD | CASIOPEA-P4 | C Major | 6 | 8B | 104 BPM | ||
| ロンサム・キャット | Kazumi Watanabe | A Major | 7 | 11B | 110 BPM | ||
| FLOATING ON THE WAVES | Sadistics | D Major | 3 | 10B | 74 BPM | ||
| Area Code 213 | Yuji Toriyama | G Major | 7 | 9B | 100 BPM |