Variations on a Rococo Theme, Op.33, TH.57: Variazione II: Tempo del Tema by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky Song Details

Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky's 'Variations on a Rococo Theme, Op.33, TH.57: Variazione II: Tempo del Tema' had a release date set for January 1, 1961. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Shostakovich: Cello Concerto No. 2. Tchaikovsky: Rococo Variations; Andante cantabile. Glazunov: Chant du Ménestrel". In this album, this song's track order is #7. Variations on a Rococo Theme, Op.33, TH.57: Variazione II: Tempo del Tema is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations on a Rococo Theme, Op.33, TH.57: Variazione II: Tempo del Tema by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -22.144 dB
Acousticness: 99%
Danceability: 38%
Energy: 10%
Instrumentalness: 67%
Liveness: 20%
Loudness: 63%
Speechiness: 4%
Valence: 27%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 2 Op. 102 in F Major: II. Andante	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Minor	0	5A	78 BPM
Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March]	Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov	C Major	4	8B	135 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	G Minor	3	6A	140 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"	Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	113 BPM
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto	Johannes Brahms, Maria Kliegel, Kristin Merscher	A Minor	0	8A	104 BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto	Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra	A♭ Major	2	4B	117 BPM
Tango jalousie	Jacob Gade, Sakari Oramo, Wiener Philharmoniker	D Major	1	10B	72 BPM
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate	Antonio Vivaldi, Europa Galante, Fabio Biondi	F♯ Major	6	2B	85 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Polonaise in A-Flat Major, Op. 53	Frédéric Chopin, Evgeny Kissin	A♭ Major	3	4B	85 BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM
Serenade For Strings In E Major, Op.22, B.52: 2. Tempo di valse	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	A Major	1	11B	177 BPM
Danse macabre, Op. 40	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	G Minor	1	6A	102 BPM
Thaïs, Act II: Méditation	Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton	E Minor	1	9A	172 BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio	Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov	A Major	1	11B	105 BPM
Finale: Scene 1 (Onegin Ballet Suite No 9)	Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery	E Minor	3	9A	103 BPM
Gayane Suite No. 2: VI. Sabre Dance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	E♭ Major	8	5B	91 BPM
Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato)	Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa	E Minor	1	9A	93 BPM
Firebird Suite - 1919 Version	Chicago Symphony Orchestra	B Major	1	1B	80 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Scheherazade: The voice of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	132 BPM
Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring)	Joseph Banowetz, Franz Liszt	G Major	1	9B	108 BPM
Le Cygne	Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec	G Major	1	9B	94 BPM