Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery's 'Finale: Scene 1 (Onegin Ballet Suite No 9)' had a release date set for November 5, 2010. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial". In this album, this song's track order is #4. In terms of popularity, Finale: Scene 1 (Onegin Ballet Suite No 9) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale: Scene 1 (Onegin Ballet Suite No 9) by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | ||
| Johannes Brahms: Sinfonie Nr. 3 F-Dur op. 90 - III. Poco Allegretto | Royal Philharmonic Orchestra, Robert Bachmann | C Minor | 0 | 5A | 81 BPM | ||
| Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 77 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | ||
| Hungarian Dance No. 10 in F - Orchestrated by Brahms | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 2 | 4A | 137 BPM | ||
| Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | ||
| Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM | ||
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 2 | 4B | 109 BPM | ||
| Britten: Soirées musicales, Op. 9: I. March | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D Major | 2 | 10B | 80 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Künstlerleben, Op.316 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 181 BPM | ||
| La bayadère: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Raymonda, Act III: Variation 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 145 BPM | ||
| Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
| Polonaise"Eugene Oneguine" | Tomomi Nishimoto, Russian Bolshoi Symphony Orchestra "Millenium" | G Major | 2 | 9B | 102 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Molto vivace | Antonín Dvořák, Orquesta Reino de Aragón, Ricardo Casero | C Major | 3 | 8B | 75 BPM | ||
| Finale: Scene 1 (Onegin Ballet Suite No 9) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | E Minor | 3 | 9A | 103 BPM | ||
| Faire Frou-Frou | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 175 BPM | ||
| Fuego Fatuo, Orchestral Suite on themes by Chopin: V. Mesto | Real Filharmonia de Galicia | C Major | 0 | 8B | 104 BPM | ||
| La Bayadère / Act 3: No.41 Alla marcia - Allegro vivo | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 2 | 10B | 128 BPM | ||
| Norwegian Dances, Op. 35: I. Allegro marcato (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 1 | 10B | 120 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 2 | 11B | 75 BPM | ||
| Don Quixote, Act I: Scene of the Toreadors | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | A Major | 3 | 11B | 135 BPM |