"Escape From Omega" by Jack Wall had its release date on October 10, 2010. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in EA Games Soundtrack's "Mass Effect 2: Combat (Original Video Game Score)" album is number 8 out of 14. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Escape From Omega's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Escape From Omega by Jack Wall to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Splinter Cell: Conviction | Amon Tobin, Kaveh Cohen, Michael Nielsen, Andrew Skeet, London Philharmonic Orchestra | F♯ Minor | 4 | 11A | 95 BPM | ||
| Neon Arterial - Lower Depths | Michael McCann | E Minor | 5 | 9A | 120 BPM | ||
| Revelations | Bobby Tahouri | A♭ Major | 3 | 4B | 118 BPM | ||
| Acheron: First Movement | Paul Leonard-Morgan | B♭ Major | 3 | 6B | 170 BPM | ||
| Combat & Extras: Combat - High Intensity - Engagement - Section 4 | Erasmus Talbot | G Minor | 6 | 6A | 145 BPM | ||
| Zulu-Tango | Audiomachine | A Major | 10 | 11B | 125 BPM | ||
| Let's Hear Him Squeal | Nick Arundel | D♭ Major | 1 | 3B | 87 BPM | ||
| Horizon | Jack Wall | A♭ Major | 2 | 4B | 170 BPM | ||
| The Bank Job: Suspense | Daniel Licht | C Major | 6 | 8B | 110 BPM | ||
| Testing Memories | Jack Wall | F Minor | 4 | 4A | 135 BPM | ||
| Made Men | Stephen Barton | B♭ Minor | 6 | 3A | 80 BPM | ||
| A World Made of Metal | Brad Derrick | C Major | 2 | 8B | 137 BPM | ||
| Imperial Legion | Brad Derrick | A Major | 4 | 11B | 180 BPM | ||
| Bombs Around Gotham | Nick Arundel | C Minor | 1 | 5A | 106 BPM | ||
| Invictus | Sean Murray | A♭ Major | 7 | 4B | 145 BPM | ||
| On the Cusp of the Abyss | Dmitry V. Silantyev | F♯ Major | 4 | 2B | 100 BPM | ||
| Claws in the Hollow | Oleksa Lozowchuk | A♭ Major | 2 | 4B | 100 BPM | ||
| Surkesh | Christopher Lennertz | C Major | 5 | 8B | 94 BPM | ||
| Escape From Omega | Jack Wall | A Major | 4 | 11B | 120 BPM | ||
| Diamond and Root | Brad Derrick | B♭ Minor | 3 | 3A | 80 BPM | ||
| The Answer Is Yours | Mikhail Kotov | B♭ Major | 7 | 6B | 85 BPM | ||
| Under Assault | Tilman Sillescu | B Minor | 5 | 10A | 132 BPM | ||
| Hard Target | Sean Murray | D Major | 3 | 10B | 170 BPM | ||
| Shadows of Commorragh | Nikolay Filipovich | B Minor | 8 | 10A | 100 BPM | ||
| The Great Battle | Henry Jackman | A Major | 0 | 11B | 87 BPM |