"String Quartet No. 2 in F Major, Op. 22, TH 112: II. Scherzo. Allegro giusto" by Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet had its release date on 1977. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Tchaikovsky: Complete String Quartets". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, String Quartet No. 2 in F Major, Op. 22, TH 112: II. Scherzo. Allegro giusto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet No. 2 in F Major, Op. 22, TH 112: II. Scherzo. Allegro giusto by Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale" | Evergreen Symphony Orchestra, Kevin Galiè | C Major | 2 | 8B | 135 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | ||
| Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | G Minor | 2 | 6A | 114 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
| 13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
| Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | ||
| Giselle, Act 1: Giselle's Variation | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
| The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
| Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
| The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | ||
| Coriolan, Op. 62: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
| Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM |