"Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt)" by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons had its release date on May 4, 2025. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 46 in Fireworks! by Wolfgang Amadeus Mozart, Alexander Borodin, Antonio Vivaldi, Antonín Dvořák, Bedřich Smetana, Charles Gounod, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Erik Satie, Franz Liszt, Franz von Suppé, Frédéric Chopin, Gaetano Donizetti, Georg Philipp Telemann, George Frideric Handel, Giacomo Meyerbeer, Gioachino Rossini, Giuseppe Verdi, Hector Berlioz, Igor Stravinsky, Jacques Offenbach, Jean Sibelius, Jean-Baptiste Lully, Jean-Philippe Rameau, Johann Sebastian Bach, Johann Strauss II, John Philip Sousa, Joseph Haydn, Leonard Bernstein, Louis Vierne, Ludwig van Beethoven, Léo Delibes, Manuel de Falla, Maurice Ravel, Mikhail Glinka, Olivier Messiaen, Pyotr Ilyich Tchaikovsky, Richard Wagner, Sergei Prokofiev, Sergei Rachmaninoff, Edward Elgar, Vincenzo Bellini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) by Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | D Major | 2 | 10B | 91 BPM | ||
| Toreador's Song from 'Carmen' | Czech Philharmonic | A Major | 3 | 11B | 125 BPM | ||
| Für Elise, WoO 59 | Ludwig van Beethoven, Nelly Kokinos | A Minor | 1 | 8A | 127 BPM | ||
| El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
| Mazurca | Orquesta Sinfónica De Radio Hamburgo | C Major | 3 | 8B | 152 BPM | ||
| Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
| Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | C Major | 2 | 8B | 140 BPM | ||
| Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
| Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
| Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
| The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 93 BPM | ||
| In Autumn, Op. 11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Richard Stamp, Anton Nel, Keith Snell, Academy Of London | A Minor | 0 | 8A | 91 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
| Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 137 BPM | ||
| Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
| Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
| Prelude in G Minor, Op. 23, No. 5: Alla marcia | Sergei Rachmaninoff, Lang Lang | G Minor | 2 | 6A | 92 BPM | ||
| Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM |