"Off To The Kingdom Of Sweets" by Ann Rachlin had its release date on 1986. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Nutcracker - The Story Of The Ballet". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Off To The Kingdom Of Sweets's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Off To The Kingdom Of Sweets by Ann Rachlin having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Secret Marriage | Ann Rachlin | C Major | 1 | 8B | 136 BPM | ||
| My Fair Lady, Act I Scene 3: In Six Months - In Three If She Has a Good Ear and a Quick Tongue | Frederick Loewe, Jamie Parker, Malcolm Sinclair | C Major | 1 | 8B | 131 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
| Sleeping Beauty Awakes | Ann Rachlin | F Major | 1 | 7B | 83 BPM | ||
| Fantasia on Greensleeve (Excerpt) | Ralph Vaughan Williams, Adelaide Symphony Orchestra, Ron Spigelman | C Minor | 0 | 5A | 79 BPM | ||
| Processionale / Maria | Orchestra del Suono Della Musica | C Major | 4 | 8B | 93 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Serenade for String Orchestra, Op. 20: II. Larghetto | Edward Elgar, Hamburg Symphony Orchestra, Alois Springer | D Minor | 1 | 7A | 97 BPM | ||
| La Source, Act II: No. 22 Mazurka | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Suite 2 - From The Bishop's Wife, 1947 | Cary Grant, Hugo Friedhofer | E♭ Major | 4 | 5B | 99 BPM | ||
| Peter and the Wolf, Op. 67: II. The Story Begins | Wiener Opernorchester | A♭ Major | 1 | 4B | 97 BPM | ||
| The Carnival of the Animals: 2. Hens And Roosters | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| Peter and the Wolf, Op. 67: I. Introduction | Wiener Opernorchester | A Minor | 1 | 8A | 85 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| Bibbidi Bobbidi Boo (Cinderella) | London Pops Orchestra, Nelson Corbin | F Major | 3 | 7B | 111 BPM | ||
| Tritsch Tratsch Polka, Op. 214 | Johann Strauss, Bonn Classic Ensemble | B Major | 3 | 1B | 83 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| Fuego Fatuo, Orchestral Suite on themes by Chopin: VII. Allegro ma non troppo | Real Filharmonia de Galicia | E♭ Major | 0 | 5B | 109 BPM | ||
| Victoria and Merrie England: Scene VII - 1897 - Britain's Glory: Finale: Britannia - The Albert Memorial - God Save The Queen | Arthur Sullivan, RTE Sinfonietta, Andrew Penny | B Major | 1 | 1B | 144 BPM | ||
| The Duke of Plaza Toro | Olive the Otter Dog | B♭ Major | 4 | 6B | 96 BPM | ||
| Aida: Ballet Music | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 3 | 7B | 123 BPM | ||
| Fancy Free Ballet: I. Enter Three Sailors | Leonard Bernstein | G Minor | 3 | 6A | 105 BPM |