"A Secret Marriage" by Ann Rachlin had its release date on 1983. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. A Secret Marriage's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Romeo And Juliet - The Story Of The Ballet". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, A Secret Marriage's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Secret Marriage by Ann Rachlin having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giselle, Peasant pas de deux, Act I: Coda (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM | ||
| Fahrenheit 451: The Road - From "Fahrenheit 451" | Bernard Herrmann | C Major | 1 | 8B | 128 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| Grainger: Country Gardens (Orch. Artok) | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | D♭ Major | 0 | 3B | 81 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
| Lovers in Paris | Lou Logist, Ray Ventura Orchestra, Ray Ventura, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss Orchestra, The Monty Kelly Orchestra, Morton Gould Orchestra, New Concert Orchestra, New Symphony Orchestra, Orchestre Raymonde, Palace Theatre Symphony Orchestra, Reg Owen Orchestra, Richard Hayman Orchestra, The Rochester Pops, Stuttgart Radio Orchestra, The Melachrino Orchestra | G Major | 3 | 9B | 166 BPM | ||
| Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
| Is It Really Me?/midnight | Ann Rachlin | D Major | 4 | 10B | 117 BPM | ||
| Chocolate Mint Snowflakes | Russell Nollen | D Major | 3 | 10B | 91 BPM | ||
| Chapter 12: Tina In Danger | Bibi and Tina | E Major | 3 | 12B | 89 BPM | ||
| Miške, MKČ 101: V. Reversed Recapitulation, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| La Bayadère / Act 1: No.8 Moderato con moto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | F Minor | 0 | 4A | 91 BPM | ||
| Juliet Teases Her Nurse | Ann Rachlin | F Major | 1 | 7B | 112 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| Paddington Bärs erstes Konzert: IV. Paddington Bahnhof | Herbert R. Chappell, Ranga Yogeshwar, Paul Goodwin | C Major | 2 | 8B | 107 BPM | ||
| Folge 4 - Exponat 712 - Teil 25 | Die Alte und der Kommissar | G Major | 6 | 9B | 140 BPM | ||
| Tchaikovsky : Waltz From Sleeping Beauty | Tchaikovsky, 어린이 클래식 | B♭ Major | 1 | 6B | 112 BPM | ||
| Cinderella Dances With Her Broom | Ann Rachlin | E Minor | 2 | 9A | 78 BPM | ||
| The Prince's Warning | Ann Rachlin | C Major | 1 | 8B | 136 BPM |