Ann Rachlin's 'Juliet Teases Her Nurse' had a release date set for 1983. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Romeo And Juliet - The Story Of The Ballet". In this album, this song's track order is #3. In terms of popularity, Juliet Teases Her Nurse is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Juliet Teases Her Nurse by Ann Rachlin having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Pepperland Suite: IV. Sea of Monsters | George Martin, Berlin Music Ensemble, Craig Leon | G Major | 1 | 9B | 115 BPM | ||
| The Prince Searches For Princess Crystal | Ann Rachlin | G Major | 3 | 9B | 103 BPM | ||
| Chapter 41 - Geronimo Stilton, Book 15: The Mona Mousa Code | Geronimo Stilton, Bill Lobley | A Minor | 3 | 8A | 108 BPM | ||
| Debussy: Children's Corner, L. 119: VI. Golliwog's Cake-walk (Orch. Caplet) | Claude Debussy, André Cluytens, Orchestre National Radiodiffusion Française | F Minor | 1 | 4A | 119 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Chinese Serenade | Victor Herbert, The Rochester Pops, Morton Gould, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss & His Orchestra, The Monty Kelly Orchestra, M | C Major | 3 | 8B | 127 BPM | ||
| Tchaikovsky : Waltz From Sleeping Beauty | Tchaikovsky, 어린이 클래식 | B♭ Major | 1 | 6B | 112 BPM | ||
| Symphony No. 1, GMW 11: IIb. Trio. Recht gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 113 BPM | ||
| Elgar: 3 Characteristic Pieces, Op. 10: No. 1, Mazurka | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | F Minor | 1 | 4A | 119 BPM | ||
| Raymonda, Act I: Scene Mimique, Pt. 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Major | 0 | 8B | 75 BPM | ||
| The Typewriter Song | Erich Kunzel & The Rochester Pops | G Major | 1 | 9B | 146 BPM | ||
| Peter and the Wolf, Op. 67: IV. The Duck - Dialogue With the Birds - Attack of the Cat | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| Act I, 9 Pas de Cinq: Grand Allegro Duet Variation | Édouard Deldevez, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Miss Melanie | Ronald Binge, Pro Arte Orchestra, George Weldon | A Major | 1 | 11B | 126 BPM | ||
| Sleeping Beauty Awakes | Ann Rachlin | F Major | 1 | 7B | 83 BPM | ||
| Mercutio Wins A Bet | Ann Rachlin | C Major | 1 | 8B | 136 BPM | ||
| Peter and the Wolf, Op. 67: I. Introduction | Wiener Opernorchester | A Minor | 1 | 8A | 85 BPM | ||
| The Carnival of the Animals: 5. The Elephant | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Simon Boccanegra: Act I: Preludio | Giuseppe Verdi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F Minor | 1 | 4A | 119 BPM | ||
| Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 93 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| My Fair Lady, Act I Scene 3: In Six Months - In Three If She Has a Good Ear and a Quick Tongue | Frederick Loewe, Jamie Parker, Malcolm Sinclair | C Major | 1 | 8B | 131 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM |