"Cardiff Castle - Live" by Mark Williams, VBC Beginning Band, Ted Frederick had its release date on July 19, 2023. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Cardiff Castle - Live's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna Band Camp 2023 (Live) by Various Artists. The song's track number on the album is #2 out of 18 tracks. In terms of popularity, Cardiff Castle - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cardiff Castle - Live by Mark Williams, VBC Beginning Band, Ted Frederick has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cardiff Castle - Live being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bookmarks from Japan: II. Nihonbashi | Julie Giroux, University of North Texas Symphonic Band, Paula Crider | A Minor | 1 | 8A | 70 BPM | ||
| Love Divine, All Love Excelling | William P. Rowlands, John Scott, Charles Wesley, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| 8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
| Until The Scars | John Mackey, Banda Marcial do Vale, Bruno Azevedo | A♭ Major | 7 | 4B | 96 BPM | ||
| Requiem: I Heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
| Amparito Roca (Spanish March) | Jaime Texidor, Ray Woodfield, China Dunshan Symphonic Wind Orchestra, Adrian Schneider | C Major | 2 | 8B | 125 BPM | ||
| Lauds (Praise High Day) | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | A Minor | 2 | 8A | 154 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| The Tango Sneak | Kenneth Eberhard, Jeffrey Lippencott, Mark Williams | G Major | 4 | 9B | 170 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| Uncanny Sneaking Ability | Jonathon Beers, Jeffrey Lippencott, Mark Williams | F Minor | 5 | 4A | 100 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young | A Major | 2 | 11B | 127 BPM | ||
| When All Thy Mercies, O My God | William Horsley, Joseph Addison, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| Three Madrigals: III. Sigh no more, ladies, sigh no more! | Emma Lou Diemer, Ames Chamber Artists | A♭ Minor | 0 | 1A | 85 BPM | ||
| Tuba Concerto in F Minor: I. Prelude | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B♭ Minor | 2 | 3A | 75 BPM | ||
| Tale of Tails | Kenneth Eberhard, Jeffrey Lippencott, Mark Williams | A Minor | 2 | 8A | 115 BPM | ||
| O Hearken | Roxanna Panufnik, The Choir of Magdalen College, Oxford, Milo Hodgkiss, Peter Brooks, Mark Williams | D Major | 1 | 10B | 83 BPM | ||
| How Sweet The Name Of Jesus Sounds | Alexander Reinagle, Judith Bailey, John Newton, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 88 BPM | ||
| Prayer of the Children (Arr. Andrea S. Klouse) [Live] | Kurt Bestor, Dallas Chamber Choir, Jon L. Culpepper | E Major | 2 | 12B | 109 BPM | ||
| Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | ||
| Arise, My Love | James Whitbourn, The Choir of Magdalen College, Oxford, Henry Morris, Mark Williams | C Major | 2 | 8B | 88 BPM | ||
| Honor Roll March - Live | Mark Williams, Lake Braddock Cadet Band, Krista Pezold | E♭ Major | 2 | 5B | 128 BPM | ||
| Subliminal Fragment Part 1 Of 5 - Truncate Remix | Mark Williams, Truncate | F Minor | 9 | 4A | 140 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 131 BPM | ||
| Haec dies | John Sheppard, The Choir of Magdalen College, Oxford, Joshua Kenney, Mark Williams | C Major | 2 | 8B | 88 BPM |