Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland's ' "Le Corsaire: Pas d Esclave - Intro" was released on its scheduled release date, November 22, 2019. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in English National Ballet Philharmonic, Gavin Sutherland's "Le Corsaire (Highlights)" album is number 1 out of 12. Based on our statistics, Le Corsaire: Pas d Esclave - Intro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Le Corsaire: Pas d Esclave - Intro by Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
| 序曲「ローマの謝肉祭」(ベルリオーズ) | Hector Berlioz, ポール・フリーマン, Czech National Symphony Orchestra | B♭ Major | 3 | 6B | 146 BPM | ||
| La Bayadere, Act I, Scene 2: 20. "Pantomime - Gamzatti and Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 90 BPM | ||
| Chrétien Polka | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 161 BPM | ||
| ポルカ「狩にて」 作品373 | インスブルック交響楽団, エドゥアルト・シュトラウス(指揮) | C Major | 1 | 8B | 72 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Entr'acte: Andante moderato; Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | A Major | 1 | 11B | 114 BPM | ||
| Smetana: The Bartered Bride: Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonia Orchestra | E Minor | 2 | 9A | 148 BPM | ||
| La bayadère: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 128 BPM | ||
| Episode, Op. 296: Polka française | Johann Strauss II, Rundfunkorchester des Südwestfunk, Klaus Arp | G Major | 1 | 9B | 163 BPM | ||
| For Ever, Polka schnell, Op. 193 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack | G Major | 3 | 9B | 153 BPM | ||
| Zwanzinette | Franz Lehár, Wiener Salonorchester | F Major | 3 | 7B | 124 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 78: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | E Minor | 2 | 9A | 148 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| 組曲「動物の謝肉祭」 10. 鳥かご | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | A Minor | 9 | 8A | 94 BPM | ||
| Suite for Variety Orchestra: V. Lyric Waltz | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Etudes: II. Ronds de jambe | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 182 BPM | ||
| Spartacus, Act I: Variation of Aegina and Bacchanalia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | F Minor | 4 | 4A | 110 BPM | ||
| Der Carneval in Paris Galopp, Op. 100, "The Carnival in Paris" | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 2 | 1B | 133 BPM | ||
| Le Corsaire: Act I - "18. Pas d’Esclave: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E Major | 1 | 12B | 73 BPM | ||
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM |