Mohammed Aziz, Kavita Krishnamurthy's 'Ganga Jaisa Man Tera (Sad)' had a release date set for January 1, 1989. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Ganga Jaisa Man Tera (Sad)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ravindra Jain's "Jungbaaz" album is number 2 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Ganga Jaisa Man Tera (Sad)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ganga Jaisa Man Tera (Sad) by Mohammed Aziz, Kavita Krishnamurthy to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mathe Ki Bindiya Bole, Pt. 2 | Mohammed Rafi, Anuradha Paudwal | G Major | 4 | 9B | 112 BPM | ||
| Mujhse Puchh Mere Meet | Kishore Kumar, Laxmikant–Pyarelal | F Minor | 9 | 4A | 128 BPM | ||
| Mamta Bawri | Ravindra Jain, Hemlata | F Major | 4 | 7B | 82 BPM | ||
| Aawargi Hamari | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Mere Dil Pe Kya Kya Guzri Hai | Manna Dey, Indeewar | A♭ Minor | 4 | 1A | 84 BPM | ||
| Jamuna Mein Kude Shyam | Piyusha-Kailash Anuj | A♭ Minor | 6 | 1A | 100 BPM | ||
| Jeevan Hai Anmol | Praveen-dimple | F♯ Minor | 3 | 11A | 72 BPM | ||
| Meri Chhoti Si Bagiya | Mohammed Aziz | D Major | 6 | 10B | 98 BPM | ||
| Pyar Kiya Hai Pyar Karenge | Shabbir Kumar, Kavita Krishnamurthy | F Major | 8 | 7B | 110 BPM | ||
| Mumkin Hai Naiya Se,Pt. 1 | Kishore Kumar, Suman Kalyanpur | E Major | 6 | 12B | 88 BPM | ||
| Tujhko Main Yeh Dile Barbad - 1 | Shabbir Kumar | D Major | 6 | 10B | 98 BPM | ||
| Sheeshe Ka Mera Badan | Hemlata | D Minor | 4 | 7A | 142 BPM | ||
| Aye Meri Dilruba | Chandan Dass | F Minor | 9 | 4A | 128 BPM | ||
| Badi Managlmayi Ghadi Aayi Sajjni | Ravindra Jain, Hemlata, Kavita Krishnamurthy | F Major | 5 | 7B | 102 BPM | ||
| Jaam Hai Shaam Hai | Anu Malik, Kavita Krishnamurthy | C Major | 7 | 8B | 98 BPM | ||
| Apne Biwi Bachchon Ke | Mohammed Aziz, Anuradha Paudwal | G Minor | 7 | 6A | 83 BPM | ||
| Tumak Tumak Mat Chalo | Rani Malik | E♭ Major | 6 | 5B | 99 BPM | ||
| Bulbul Ne Bhi | Alka Yagnik, Mohammed Aziz | G Major | 7 | 9B | 123 BPM | ||
| Charon Taraf Pyar Hai | Asha Bhosle, Mohammed Aziz | F♯ Major | 6 | 2B | 143 BPM | ||
| Idd Ka Salam | Usha Mangeshkar, Anwar Hussain | A♭ Major | 8 | 4B | 81 BPM | ||
| Bidesh Theke Firle Deshe | Bappi Lahiri, Mohammed Aziz | C Minor | 7 | 5A | 140 BPM | ||
| Behena O Behena | Mohammed Aziz, Anuradha Paudwal | B Major | 1 | 1B | 159 BPM | ||
| Girdhari Re | Nandini Sharan | A♭ Major | 5 | 4B | 149 BPM | ||
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Pada Jeena Tere Bin Meri Jaan | Udit Narayan, Kavita Krishnamurthy, Seema Anil Sehgal | G Minor | 5 | 6A | 94 BPM |