"Deserted Tracks: No. 2. —" by Peter Machajdik, Kristina Lesicka, Mayuko Kida had its release date on December 1, 2015. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Deserted Tracks: No. 2. —'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Machajdik's "Machajdík: Deserted Tracks" album is number 6 out of 18. In terms of popularity, Deserted Tracks: No. 2. — is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deserted Tracks: No. 2. — by Peter Machajdik, Kristina Lesicka, Mayuko Kida to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Quiete | Chira | G Minor | 0 | 6A | 100 BPM | ||
| The Past Visions | Nadyia Lvov | A Minor | 4 | 8A | 77 BPM | ||
| Midday Tumble | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Siete Canciones popolares Españolas: No. 5, Nana | Sylvain Millepied, Maia Darme | A Minor | 0 | 8A | 90 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D Major | 0 | 10B | 115 BPM | ||
| Silent River | Dustin Tomas | D Major | 0 | 10B | 115 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | D Major | 0 | 10B | 115 BPM | ||
| Resonance, Episode 10 | Tomasz Trzcinski | C Major | 1 | 8B | 74 BPM | ||
| Für Alina: Ruhig, verhalten, in sich hineinhorchend | Arvo Pärt, Michael Van Krücker | B Minor | 0 | 10A | 76 BPM | ||
| Missionshuset | Danmarks Radios Underholdningsorkester, Per Walter | C Major | 0 | 8B | 94 BPM | ||
| Afterglow | Constant Moritz | G Minor | 1 | 6A | 120 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| Kuina | Fabio Caramuru | D♭ Major | 1 | 3B | 77 BPM | ||
| Still Moment (Reprise) | Tunde Jegede | B♭ Minor | 1 | 3A | 145 BPM | ||
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| On the Seven Colors of Light: Amen, I say to thee, truly thou shalt be with me in paradise | Peter Machajdik, Carson Cooman | C Major | 0 | 8B | 71 BPM | ||
| Inside the Sleeping Carpels | Peter Machajdik | G Major | 1 | 9B | 124 BPM | ||
| Deserted Tracks: No. 2. — | Peter Machajdik, Kristina Lesicka, Mayuko Kida | A Minor | 0 | 8A | 96 BPM | ||
| Sonata Rosenberg for Violin and Piano: I. Moderato | Peter Machajdik, Pavel Burdych, Zuzana Berešová | D Minor | 1 | 7A | 97 BPM | ||
| The Secret Life of Daydreams (Arr. Assad for Guitar) - From “Pride & Prejudice” | Dario Marianelli, Plínio Fernandes | D Major | 0 | 10B | 115 BPM | ||
| Golden Brown | Estoria | D Major | 0 | 10B | 115 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Breathing with Harp | Park Stickney, Rüdiger Oppermann | D Minor | 1 | 7A | 111 BPM | ||
| Canción Triste | Francisco Calleja, Zsófia Boros | G Minor | 0 | 6A | 72 BPM | ||
| Deep Blue | Ingo Höricht, Ponticulus Quartett | C Minor | 1 | 5A | 139 BPM |