John Carpenter's ' "Assault on Precinct 13" was released on its scheduled release date, October 20, 2017. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Assault on Precinct 13's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in Anthology: Movie Themes 1974-1998 by John Carpenter. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Assault on Precinct 13 is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Assault on Precinct 13 by John Carpenter is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love | Mica Levi | D Minor | 2 | 7A | 64 BPM | ||
| Heels | Disasterpeace | F Major | 3 | 7B | 112 BPM | ||
| The End | John Carpenter | G Major | 5 | 9B | 110 BPM | ||
| Achievement of Man (Johnny Balls Think Again Theme) | Francis Monkman | G Minor | 9 | 6A | 127 BPM | ||
| Our Gang Goes To Cyberdyne - Remastered 2017 | Brad Fiedel | E♭ Major | 3 | 5B | 120 BPM | ||
| Blackpool Late Eighties | James Holden | G Major | 4 | 9B | 113 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM | ||
| It's Over - Remastered 2017 | Brad Fiedel | A Major | 2 | 11B | 88 BPM | ||
| Theme From "The Warriors" - From "The Warriors" Soundtrack | Barry Vorzon | D Major | 8 | 10B | 118 BPM | ||
| "We're Not Programs, GERTY, We're People" | Clint Mansell | C Major | 1 | 8B | 62 BPM | ||
| Bicentennial Presentation | Peter Baumann | G Minor | 3 | 6A | 120 BPM | ||
| Jesus and the Snake | Cliff Martinez | A Minor | 5 | 8A | 88 BPM | ||
| The Crate | John Harrison | A Major | 3 | 11B | 147 BPM | ||
| Theme from Friday the 13th, Pt. 3 | Michael Zager, Harry Manfredini | F Major | 7 | 7B | 126 BPM | ||
| Blush Response | Vangelis | D Major | 3 | 10B | 97 BPM | ||
| Computer Liebe | Kraftwerk | F Minor | 7 | 4A | 129 BPM | ||
| Damask Rose | Vangelis | D Minor | 0 | 7A | 121 BPM | ||
| Love Theme | Terrortron | E♭ Major | 5 | 5B | 130 BPM | ||
| La polizia sta a guardare - Main Theme | Stelvio Cipriani | A♭ Major | 6 | 4B | 93 BPM | ||
| End Credits (From "Phantasm II") | San Fernando Symphonic Assembly | D♭ Major | 6 | 3B | 131 BPM | ||
| The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) | Éric Serra | B♭ Minor | 5 | 3A | 99 BPM | ||
| First Sleep | Cliff Martinez | F Major | 2 | 7B | 180 BPM | ||
| THE BOUNTY: Main Theme | San Fernando Symphonic Assembly | F♯ Major | 1 | 2B | 84 BPM | ||
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| Theme For Great Cities | Simple Minds | A♭ Major | 8 | 4B | 122 BPM |