On July 1, 1998, the song "Bol Na Ho Raja Bol Na" was released by Tripti Shakya, Amresh, Sangita, Rakesh. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Raja Bola Na". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Bol Na Ho Raja Bol Na is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bol Na Ho Raja Bol Na by Tripti Shakya, Amresh, Sangita, Rakesh having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Racha Hain Srushti Ko Jis Prabhu Ne | Manoj Mishra | F Minor | 7 | 4A | 110 BPM | ||
| Hari Sundar Nand Mukunda | Sohini Mishra | D Major | 7 | 10B | 134 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| Shabri Magan Hai Ram Bhajan Mein | Tripti Shakya | F Minor | 9 | 4A | 80 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Kabhi Ram Banke Kabhi Sham Banke | Anjali Jain | B Minor | 5 | 10A | 88 BPM | ||
| Man Kare Man Ke Mandir Banaai Ho | MANOJ TIWARI, Tripti Shakya | G Minor | 9 | 6A | 154 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| Holi Khelal Jaai Internet Par | MANOJ TIWARI, Tripti Shakya | B Minor | 9 | 10A | 93 BPM | ||
| Banke Bihari Lal Teri Jai Hove | Acharya Mridul Krishna Goswami | F♯ Minor | 7 | 11A | 76 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Meri Vinti Yahi Hai Radha Rani | Devendra Pathak | A♭ Minor | 6 | 1A | 100 BPM | ||
| Aarti Kunj Bihari Ki | Trisha Parui | D♭ Major | 7 | 3B | 124 BPM | ||
| Radhe Krishna Radhe Krishna | Trisha Parui, Disha Roy | G Minor | 5 | 6A | 66 BPM | ||
| Murliwale Ne Gher Lai (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | F♯ Major | 7 | 2B | 95 BPM | ||
| Thali Bhar Ke Layai Khichdo | Seema Mishra | A Minor | 5 | 8A | 79 BPM | ||
| Hey Gopal Krishna karun Aarti teri | Devoleena Bhattacharjee | D♭ Major | 6 | 3B | 140 BPM | ||
| Bheja Hai Bulawa Tune Sheranwaliye (From "Mamta Ka Mandir") | Babla Mehta | E Minor | 8 | 9A | 82 BPM | ||
| Jara Itna Bta De Kanha Tera Rang Kala Kyu | Anju Sharma | C Minor | 3 | 5A | 104 BPM | ||
| Patna Mein Patiaailak Chhaila | Sunil Chhaila Bihari, Tripti Shakya | A♭ Minor | 7 | 1A | 93 BPM | ||
| Mithe Ras Se Bharyodi Radharani | Radha Krishnaji Maharaj | D♭ Major | 6 | 3B | 137 BPM |