"Amaya" by How to Disappear Completely had its release date on January 25, 2018. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in How to Disappear Completely's "Mer de Revs II" album is number 13 out of 14. Based on our statistics, Amaya's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amaya by How to Disappear Completely to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reflector | Warmth | B Major | 1 | 1B | 71 BPM | ||
| Melancholia VI | William Basinski | A Minor | 0 | 8A | 71 BPM | ||
| and then the world left quiet... | Argo Nuff | D Major | 4 | 10B | 81 BPM | ||
| Prelude to Obsession II | Celer | G Major | 2 | 9B | 123 BPM | ||
| Nuuk (Night) | Thomas Köner | G Major | 1 | 9B | 70 BPM | ||
| Amets | How to Disappear Completely | B Minor | 2 | 10A | 83 BPM | ||
| The Wake of Man | Dead Melodies | B Major | 0 | 1B | 58 BPM | ||
| The Longer I Dream, The More Disconnected I Become | God Body Disconnect | C Major | 0 | 8B | 108 BPM | ||
| mono patterns | Ian Hawgood | D Major | 3 | 10B | 78 BPM | ||
| Quiet Dreams | Abul Mogard | E Major | 1 | 12B | 142 BPM | ||
| And They Will Fall | Nik Sudan | C Minor | 1 | 5A | 87 BPM | ||
| keep coming | Unworn | D Major | 1 | 10B | 134 BPM | ||
| Falling Asleep in the Rain I | Chihei Hatakeyama | A Major | 2 | 11B | 72 BPM | ||
| Particle Storm | Alphaxone | B♭ Minor | 1 | 3A | 78 BPM | ||
| 東京の夜 | t e l e p a t h テレパシー能力者 | F Major | 5 | 7B | 120 BPM | ||
| Nuuk (Air) | Thomas Köner | F Minor | 3 | 4A | 137 BPM | ||
| Time Without Motion | 36 | A Minor | 0 | 8A | 69 BPM | ||
| This Nightmare Will End Soon | Midwich Music | F♯ Major | 1 | 2B | 132 BPM | ||
| Time Froze | Sangam | D♭ Major | 2 | 3B | 141 BPM | ||
| Intransigence | Hakobune | G Minor | 2 | 6A | 86 BPM | ||
| HK | HKE | G Major | 3 | 9B | 102 BPM | ||
| Broken Spectre | EUS, How to Disappear Completely | G Minor | 3 | 6A | 95 BPM | ||
| Body Within Body | Jefre Cantu-Ledesma | D Major | 1 | 10B | 72 BPM | ||
| Unfinished | nthng | A Minor | 2 | 8A | 64 BPM | ||
| Delta Zero | Alphaxone | D♭ Major | 1 | 3B | 123 BPM |