- BPM
- 72
- Key
- B♭ Major
- Camelot
- 6B
Henry VIII by Nigel Hess Song Details
"Henry VIII" by Nigel Hess had its release date on January 1, 1992. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Nigel Hess's "Maigret and Other TV Themes" album is number 12 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Henry VIII is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Henry VIII by Nigel Hess to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.517 dB
- Acousticness
- 52%
- Danceability
- 8%
- Energy
- 32%
- Instrumentalness
- 34%
- Liveness
- 10%
- Loudness
- 79%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Shakespeare Pictures: I. Much Ado about Nothing | Nigel Hess, Central Band Of The Royal Air Force | F Major | 1 | 7B | 105 BPM | |
 | Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM | |
 | Five Bagatelles, Op. 23: No. 2, Romance. Andante tranquillo | Gerald Finzi, Michael Collins, Michael McHale | F Minor | 0 | 4A | 132 BPM | |
 | Love Theme - From "Ghost" | Maurice Jarre, Nino Rota, Royal Philharmonic Orchestra;Tolga Kashif | F Major | 3 | 7B | 85 BPM | |
 | V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | |
 | The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | |
 | Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | |
 | The Sound Of Silence (Arr. Lawson, Trueman) | Paul Simon, Miloš Karadaglić, 12 Ensemble | D Minor | 1 | 7A | 92 BPM | |
 | Theme - From "Emma" | Rachel Portman | G Major | 1 | 9B | 92 BPM | |
 | Holberg Suite, Op. 40: I Prelude | Edvard Grieg, Norwegian Chamber Orchestra | G Major | 1 | 9B | 76 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | |
 | Lumikuningatar: No. 19. Kehtolaulu | Tuomas Kantelinen, Finnish National Opera Orchestra | G Minor | 2 | 6A | 80 BPM | |
 | Movement 2 - The Love | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | A♭ Major | 1 | 4B | 66 BPM | |
 | Maria - Theme | Guy Farley | F Major | 3 | 7B | 80 BPM | |
 | Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen" | Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor | E♭ Major | 1 | 5B | 66 BPM | |
 | Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | |
 | Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | |
 | Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | |
 | Miserere: Songs of Mercy and Redemption: 4. Sacramentum | Karl Jenkins, Stephen Layton, Abel Selaocoe, Britten Sinfonia, Catrin Finch | E♭ Major | 1 | 5B | 89 BPM | |
 | Who Has Dared To Wound Thee | Debbie Wiseman | F Major | 1 | 7B | 92 BPM | |
 | When Daisies Pied (feat. Emma Manton, Peter MC Govern & Company) | Nigel Hess, Royal Shakespeare Company, Emma Manton, Peter Mc Govern, The Company | G Major | 2 | 9B | 108 BPM | |
 | Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | |
 | Pur ti Miro from "L'incoronazione di Poppea" | Claudio Monteverdi, Joshua Bell, Michael Stern, Jacob Heringman, John Constable, Stephen Orton, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | |
 | Return To Florence | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A♭ Major | 1 | 4B | 69 BPM | |
 | GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM |
- ISRC
- GBBFF0700525
- Label
- L-M Records/RCA Records