"You Were Always the Wrong Guy" by Rob Simonsen had its release date on July 24, 2024. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 33 in Deadpool & Wolverine (Original Score) by Rob Simonsen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. You Were Always the Wrong Guy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of You Were Always the Wrong Guy by Rob Simonsen is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Epilogue: Dream of the North Pole | Johan Söderqvist | D Minor | 0 | 7A | 58 BPM | ||
| After All. Three Hops To Anyone | Adam Peters | F Minor | 1 | 4A | 88 BPM | ||
| A Little Girl, Sometimes | Abel Korzeniowski | C Minor | 0 | 5A | 134 BPM | ||
| Falling | Ben Salisbury, Geoff Barrow | A♭ Major | 0 | 4B | 93 BPM | ||
| Face Off | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Full Sail | Rob Simonsen | D Major | 2 | 10B | 165 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| A True Story | Rachel Portman, Jon Ehrlich | G Minor | 1 | 6A | 82 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Someone I Love | Dan Romer | B♭ Minor | 5 | 3A | 83 BPM | ||
| Harpoon | Rob Simonsen | F Minor | 2 | 4A | 131 BPM | ||
| Mary Ditches Her Doll | Dario Marianelli | B♭ Major | 1 | 6B | 69 BPM | ||
| Cursed Elegy | Dark Orchestral Music | C Minor | 0 | 5A | 130 BPM | ||
| The Beach | Jonathan Sadoff, Rob Simonsen | G Major | 3 | 9B | 110 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Sneaking Out / Beating Up Car | Nathaniel Walcott | F♯ Major | 2 | 2B | 130 BPM | ||
| A Child of War | Junkie XL | A Minor | 4 | 8A | 181 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| The Foundation | Bear McCreary, Sparks & Shadows | C Minor | 2 | 5A | 83 BPM | ||
| Rescue | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| Catch | Rob Simonsen | B♭ Major | 1 | 6B | 84 BPM |