Harry Connick, Jr.'s 'Who Can I Turn To (When Nobody Needs Me)' had a release date set for October 23, 2009. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Your Songs by Harry Connick, Jr.. The song's track number on the album is #12 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Who Can I Turn To (When Nobody Needs Me) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Who Can I Turn To (When Nobody Needs Me) by Harry Connick, Jr. has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Who Can I Turn To (When Nobody Needs Me) being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM | ||
| Blue Light, Red Light (Someone's There) | Harry Connick, Jr. | F Minor | 1 | 4A | 128 BPM | ||
| Heavenly | Harry Connick, Jr. | F Major | 1 | 7B | 82 BPM | ||
| Don't Wait Too Long | Madeleine Peyroux | D Major | 4 | 10B | 106 BPM | ||
| New York Is Where I Live | Brian Childers | C Minor | 3 | 5A | 122 BPM | ||
| Put On A Happy Face | Dick Van Dyke, The Ray Charles Singers, Enoch Light And His Orchestra | C Major | 4 | 8B | 83 BPM | ||
| Sand in My Shoes | Bobby Short | C Major | 3 | 8B | 144 BPM | ||
| Darling, Je Vous Aime Beacoup | Natalie Cole | D Major | 1 | 10B | 79 BPM | ||
| A Lot of Living to Do | Sammy Davis Jr. | C Major | 3 | 8B | 189 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| Cocktails for Two | Bria Skonberg | B♭ Major | 3 | 6B | 126 BPM | ||
| They Can’t Take That Away From Me | Tony Bennett, Diana Krall | B Major | 1 | 1B | 100 BPM | ||
| You Make Me Feel so Young | Chris Connor | E♭ Minor | 2 | 2A | 128 BPM | ||
| I Realize Now / I Miss You So | Freddy Cole | F Minor | 0 | 4A | 62 BPM | ||
| Sunrise Serenade | Glenn Miller | E♭ Major | 1 | 5B | 89 BPM | ||
| That Old Black Magic | Kevin Spacey | C Major | 4 | 8B | 183 BPM | ||
| Lucky Day | Judy Garland | A♭ Major | 4 | 4B | 79 BPM | ||
| Back in Your Own Back Yard | Madeleine Peyroux, William Galison | B♭ Major | 4 | 6B | 176 BPM | ||
| The Ooh-Wee Song (aka Ooh-Wee) | Jonny Blu | F Minor | 3 | 4A | 98 BPM | ||
| It Had to Be You | Bobby Darin | D Major | 3 | 10B | 68 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| Smile | Harry Connick, Jr. | F Major | 3 | 7B | 102 BPM | ||
| Stars Past the Milky Way | James Judson | C Major | 2 | 8B | 80 BPM | ||
| Fabulous Places | Kevin Spacey | A Major | 8 | 11B | 76 BPM | ||
| Too Marvelous For Words - Remastered 1998 | Frank Sinatra | F Major | 3 | 7B | 126 BPM |