Rob Lynch's ' "Broken Bones" was released on its scheduled release date, November 22, 2013. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 12 in All These Nights in Bars Will Somehow Save My Soul by Rob Lynch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Broken Bones is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Broken Bones by Rob Lynch is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Broken Bones | Rob Lynch | G Major | 5 | 9B | 85 BPM | ||
| Is Anyone out There? | Will Varley | E Minor | 6 | 9A | 114 BPM | ||
| The Boat | Chuck Ragan | A Minor | 9 | 8A | 129 BPM | ||
| Meet Me in the Shade - Kaputtmacher Live-Session | Chris Cresswell | D Major | 5 | 10B | 79 BPM | ||
| St. Anne | Make Do And Mend | D Minor | 7 | 7A | 175 BPM | ||
| Hawking | Rob Lynch | A Minor | 8 | 8A | 114 BPM | ||
| The Guillotine | Jared Hart | B Major | 4 | 1B | 145 BPM | ||
| Not Looking Down (Acoustic) | Nothington | E♭ Major | 8 | 5B | 82 BPM | ||
| Lookers | The Menzingers | D♭ Major | 9 | 3B | 164 BPM | ||
| I Got This Email | Will Varley | C Major | 4 | 8B | 137 BPM | ||
| What can I Say | Chuck Duncan | F Major | 6 | 7B | 138 BPM | ||
| The District Sleeps Alone Tonight (The Postal Service Cover) | Ben Marwood | A Minor | 4 | 8A | 136 BPM | ||
| The Bullingdon Boys | The King Blues | G Major | 9 | 9B | 188 BPM | ||
| Measure Of A Man | Young Rebel Set | D♭ Minor | 8 | 12A | 137 BPM | ||
| November - Live at St Pancras Old Church, London, 2012 | Ryan O'Reilly | A Major | 5 | 11B | 136 BPM | ||
| Home | John Allen | A Minor | 6 | 8A | 111 BPM | ||
| Meet Me at the Lanes | Dave Hause | E Major | 3 | 12B | 172 BPM | ||
| Silence | Brian Fallon | E Major | 6 | 12B | 144 BPM | ||
| Blue Jeans And White T-Shirts - Bonus Track | The Gaslight Anthem | F Major | 3 | 7B | 85 BPM | ||
| Do Whatever the Fuck You Want | Tim Vantol | C Major | 7 | 8B | 100 BPM | ||
| The Reaper Man | Trevor Sensor | A♭ Major | 8 | 4B | 155 BPM | ||
| Field Holler | Chuck Ragan, Chris Thorn, Joe Ginsberg, Jon Gaunt | A Minor | 9 | 8A | 129 BPM | ||
| If the Gaff Don't Let Us Down | Skinny Lister | D Major | 9 | 10B | 120 BPM | ||
| M. D. M. Amazing | Beans on Toast | B Major | 6 | 1B | 100 BPM | ||
| Sons & Mothers | CHEWIE | A Minor | 7 | 8A | 145 BPM |