On June 7, 2018, the song "Lusitânia Ad Libitum" was released by Clarinetes Ad Libitum. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Desconcerto by Clarinetes Ad Libitum. Lusitânia Ad Libitum is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Lusitânia Ad Libitum by Clarinetes Ad Libitum is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Automne | Swing 41, Jørgen Martinsen, Peter Williams, Martin Walker, Flemming Honig | D Minor | 3 | 7A | 97 BPM | ||
| Carnyx | David Orlowsky, David Orlowsky Trio | G Minor | 3 | 6A | 88 BPM | ||
| Ornithology (Arr. Horsting for Recorder & Ensemble) | Lucie Horsch, Fuse | A Minor | 4 | 8A | 121 BPM | ||
| La valse d'Amélie | Music Frame | G Major | 3 | 9B | 178 BPM | ||
| Mazurka du dimanche | Trio Loubelya | B♭ Minor | 2 | 3A | 74 BPM | ||
| IV | Sammy Weissberg, Samuel Weissberg | G Major | 3 | 9B | 178 BPM | ||
| Sasayaki harura | Angi G | A Minor | 4 | 8A | 158 BPM | ||
| Bridge - Oltrepassare II | Pietro Roffi | G Major | 3 | 9B | 178 BPM | ||
| Valsa de esquina No. 8 | Francisco Mignone, Gustavo Tavares, Nelson Faria | E Minor | 1 | 9A | 200 BPM | ||
| Lusitânia Ad Libitum | Clarinetes Ad Libitum | B♭ Major | 4 | 6B | 80 BPM | ||
| Te diré tangos | Kiko Berenguer | A Minor | 4 | 8A | 73 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Suite No.1 Introduction and Fugue for Symphonic Orchestra | Alexander Hrustevich | D Minor | 3 | 7A | 131 BPM | ||
| Valsa Creoula | Clarinetes Ad Libitum | C Minor | 1 | 5A | 174 BPM | ||
| Chorando Baixinho | Abel Ferreira, Camerata Brasil | A Minor | 3 | 8A | 117 BPM | ||
| Panne à Ibiza | Trio Loubelya | C Major | 7 | 8B | 114 BPM | ||
| Celta Irlandesa | Clarinetes Ad Libitum | E♭ Major | 7 | 5B | 116 BPM | ||
| Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
| Marching Trombone | Massimo Pirone | B♭ Major | 1 | 6B | 108 BPM | ||
| Gaúcho – Corta Jaca: Gaúcho – Corta Jaca | Chiquinha Gonzaga, Katja Zakotnik, Naila Alvarenga Lahmann | D Minor | 1 | 7A | 99 BPM | ||
| Palheta da Beira Baixa | Clarinetes Ad Libitum | D♭ Major | 6 | 3B | 150 BPM | ||
| Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
| Rosée et Réverbère | Louis Bastien | D Minor | 3 | 7A | 168 BPM | ||
| Scherzo and March (Music from the Opera «Love for Three Oranges») | Alexander Hrustevich | D Minor | 3 | 7A | 131 BPM | ||
| Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 170 BPM |